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THE SUBSTANCE OF ALL THINGS

A dramatic and cumulatively powerful tale of one man’s healing.

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Harris’ new novel tells the remarkable life story of a modern-day miracle worker.

Theodore “Theo” Dalton is a therapist who helps his female clients make sense out of their trauma and find spiritual healing. But as readers learn in alternating chapters, before Theo was a healer of psyches, he was a healer of bodies. In 1961, when he was 6 years old, he was in a car accident that crippled his father, maimed his own hands, and killed his pregnant mother—although his infant sister, Lily, was saved. Now, in his adulthood, Theo is reluctant to revisit those memories. “The misfortune of that November night in 1961 is safely locked away,” he thinks, “only rarely peering out—in sepia tones.” When he’s 12 and living in Oklahoma under the care of his father and his imperious Aunty Li, a Native American man named Frank Kotori sees Theo heal another boy’s arm by simply touching it. At Frank’s encouragement, Theo goes on to heal an injured bird, which prompts the man to bring the boy to a sick baby in a nearby part of town: “The current splayed to my fingers, tiny jolts of something,” Theo recalls of holding the infant in his hands, “something charged, even voltaic.” When word of his abilities spreads, some of the townspeople consider him an instrument of evil, and after a string of misunderstandings and tragedies, he decides never to use his hands to heal again. Later, however, his relationships with his therapy patients draw him deeper into his own memories.

Harris, the author of the essay collection Ham (2014), handles Theo’s story with a smooth confidence that belies the inherent difficulties of wrangling a narrative split between two different time frames—a strategy that has brought more than a few other authors to grief. His main narrative gamble is to juxtapose the inherently dramatic developments of the storyline set in the past, involving a boy with supernatural powers and the angry residents of a small town, with the intense but relatively quotidian developments of the present-day story, which focuses on a series of therapy sessions. This gamble pays off well, however, as Harris expertly expands on Theo’s character over the course of the book, and he adroitly plays each plotline against the other to create a gripping sense of narrative momentum. Other characters’ stories also benefit from this gradual unfolding—especially that of Theo’s father, who’s had to live with massive guilt, not only regarding the loss of his wife, but also for a crucial decision regarding Theo’s well-being in the wake of the car crash. The book’s villains, which include childhood bullies and fundamentalist zealots, are somewhat underdeveloped, as is the far more important character of Aunty Li. But the slow, controlled portrayal of adult Theo’s progress toward personal redemption is so commanding that readers will find that such minor flaws fade away as one reads. It all culminates in a series of chapters with hefty emotional impact.

A dramatic and cumulatively powerful tale of one man’s healing.

Pub Date: July 1, 2020

ISBN: 978-0-578-66878-9

Page Count: 382

Publisher: Self

Review Posted Online: July 9, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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