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THE SUBSTANCE OF ALL THINGS

A dramatic and cumulatively powerful tale of one man’s healing.

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Harris’ new novel tells the remarkable life story of a modern-day miracle worker.

Theodore “Theo” Dalton is a therapist who helps his female clients make sense out of their trauma and find spiritual healing. But as readers learn in alternating chapters, before Theo was a healer of psyches, he was a healer of bodies. In 1961, when he was 6 years old, he was in a car accident that crippled his father, maimed his own hands, and killed his pregnant mother—although his infant sister, Lily, was saved. Now, in his adulthood, Theo is reluctant to revisit those memories. “The misfortune of that November night in 1961 is safely locked away,” he thinks, “only rarely peering out—in sepia tones.” When he’s 12 and living in Oklahoma under the care of his father and his imperious Aunty Li, a Native American man named Frank Kotori sees Theo heal another boy’s arm by simply touching it. At Frank’s encouragement, Theo goes on to heal an injured bird, which prompts the man to bring the boy to a sick baby in a nearby part of town: “The current splayed to my fingers, tiny jolts of something,” Theo recalls of holding the infant in his hands, “something charged, even voltaic.” When word of his abilities spreads, some of the townspeople consider him an instrument of evil, and after a string of misunderstandings and tragedies, he decides never to use his hands to heal again. Later, however, his relationships with his therapy patients draw him deeper into his own memories.

Harris, the author of the essay collection Ham (2014), handles Theo’s story with a smooth confidence that belies the inherent difficulties of wrangling a narrative split between two different time frames—a strategy that has brought more than a few other authors to grief. His main narrative gamble is to juxtapose the inherently dramatic developments of the storyline set in the past, involving a boy with supernatural powers and the angry residents of a small town, with the intense but relatively quotidian developments of the present-day story, which focuses on a series of therapy sessions. This gamble pays off well, however, as Harris expertly expands on Theo’s character over the course of the book, and he adroitly plays each plotline against the other to create a gripping sense of narrative momentum. Other characters’ stories also benefit from this gradual unfolding—especially that of Theo’s father, who’s had to live with massive guilt, not only regarding the loss of his wife, but also for a crucial decision regarding Theo’s well-being in the wake of the car crash. The book’s villains, which include childhood bullies and fundamentalist zealots, are somewhat underdeveloped, as is the far more important character of Aunty Li. But the slow, controlled portrayal of adult Theo’s progress toward personal redemption is so commanding that readers will find that such minor flaws fade away as one reads. It all culminates in a series of chapters with hefty emotional impact.

A dramatic and cumulatively powerful tale of one man’s healing.

Pub Date: July 1, 2020

ISBN: 978-0-578-66878-9

Page Count: 382

Publisher: Self

Review Posted Online: July 9, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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