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THE SUBSTANCE OF ALL THINGS

A dramatic and cumulatively powerful tale of one man’s healing.

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Harris’ new novel tells the remarkable life story of a modern-day miracle worker.

Theodore “Theo” Dalton is a therapist who helps his female clients make sense out of their trauma and find spiritual healing. But as readers learn in alternating chapters, before Theo was a healer of psyches, he was a healer of bodies. In 1961, when he was 6 years old, he was in a car accident that crippled his father, maimed his own hands, and killed his pregnant mother—although his infant sister, Lily, was saved. Now, in his adulthood, Theo is reluctant to revisit those memories. “The misfortune of that November night in 1961 is safely locked away,” he thinks, “only rarely peering out—in sepia tones.” When he’s 12 and living in Oklahoma under the care of his father and his imperious Aunty Li, a Native American man named Frank Kotori sees Theo heal another boy’s arm by simply touching it. At Frank’s encouragement, Theo goes on to heal an injured bird, which prompts the man to bring the boy to a sick baby in a nearby part of town: “The current splayed to my fingers, tiny jolts of something,” Theo recalls of holding the infant in his hands, “something charged, even voltaic.” When word of his abilities spreads, some of the townspeople consider him an instrument of evil, and after a string of misunderstandings and tragedies, he decides never to use his hands to heal again. Later, however, his relationships with his therapy patients draw him deeper into his own memories.

Harris, the author of the essay collection Ham (2014), handles Theo’s story with a smooth confidence that belies the inherent difficulties of wrangling a narrative split between two different time frames—a strategy that has brought more than a few other authors to grief. His main narrative gamble is to juxtapose the inherently dramatic developments of the storyline set in the past, involving a boy with supernatural powers and the angry residents of a small town, with the intense but relatively quotidian developments of the present-day story, which focuses on a series of therapy sessions. This gamble pays off well, however, as Harris expertly expands on Theo’s character over the course of the book, and he adroitly plays each plotline against the other to create a gripping sense of narrative momentum. Other characters’ stories also benefit from this gradual unfolding—especially that of Theo’s father, who’s had to live with massive guilt, not only regarding the loss of his wife, but also for a crucial decision regarding Theo’s well-being in the wake of the car crash. The book’s villains, which include childhood bullies and fundamentalist zealots, are somewhat underdeveloped, as is the far more important character of Aunty Li. But the slow, controlled portrayal of adult Theo’s progress toward personal redemption is so commanding that readers will find that such minor flaws fade away as one reads. It all culminates in a series of chapters with hefty emotional impact.

A dramatic and cumulatively powerful tale of one man’s healing.

Pub Date: July 1, 2020

ISBN: 978-0-578-66878-9

Page Count: 382

Publisher: Self

Review Posted Online: July 9, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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