Witty and warm grace notes to the cool history of the Beats. (8 pp. b&w photos, not seen)
Coming-of-age narrative from the first alumnus of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the original Buddhist college in America. (It was not the Ivy League.)
A generation ago, young Kashner (The Bad and the Beautiful, 2002, etc.) left home in Merrick, Long Island, to sit at the feet of the Beat masters in Boulder, Colorado. Allen Ginsberg was his mentor, and the core faculty contributing to Sam’s expanding education included Gregory Corso, William Burroughs, Peter Orlovsky, and beautiful poet Anne Waldman. Most of the Rat Pack of Poesy were approaching their geriatric phase, but they were infected still with some things rich and strange. Like Byron before them, they were all mad, bad, and dangerous to know—also, in their way, great teachers. Deconstructing jerrybuilt poetry at the Kerouac School and working with its special faculty was no trust-fund, Buddhist-style caper like the rest of Naropa’s classes. The Beats, brightest of their generation, required close acolyte attention. Enticing vinegary Burroughs out his orgone box to care for his son, keeping rowdy Corso as straight as possible, completing and typing moody Ginsberg’s poems while calculating the sexual permutations would tax the abilities of any apprentice bard, especially one carrying a fond father’s credit card. It was scary, certainly, attending those mythic Olympians, bohemian heroes passing into hipsters or junkies. And it was clearly wonderful. It all started to unravel at a Parents Weekend, during which visiting elders had to post bail for their kids, and after a romp overseen by the Tibetan meditation master of Naropa, it was over. Kashner, who learned to write quite nicely indeed, whether or not at the Kerouac School, blows a kiss to yesteryear.
Witty and warm grace notes to the cool history of the Beats. (8 pp. b&w photos, not seen)Pub Date: Dec. 1, 2003
ISBN: 0-06-000566-1
Page Count: 336
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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