From McBratney (The Dark at the Top of the Stairs, 1996, etc.), brief retellings of 15 stories from the British Isles, with appearances by Sir Gawain and the Green Knight, the Children of Lir, a Selkie story, and an interesting version of King Midas. Every one is accompanied by a full-page painting and several smaller ones; McBratney often provides comments for his competent, workmanlike retellings, but variations of all the stories are widely available. The illustrations are odd: The technique is rich and confident, and Player is skilled, but he makes the faces almost uniformly ugly, even when the text describes the characters as handsome or beautiful. The paintings don’t match the text in other ways as well, e.g., a boy described as seven or eight appears to be about sixteen. (index) (Folklore. 9-12)
Pub Date: June 15, 1998
ISBN: 0-87226-561-7
Page Count: 96
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beguiling retelling of a 19th-century Lincolnshire tale that fairly dances with an impatience to be read aloud. Mouth-filling words dot this story, the context making them easily understood while taking away none of their mystery. Bogles and other horrid things live in the cracks and cinders and sleep in the fields in the old times, and at darkling every night folk walk round their houses with lights in their hands to keep the mischancy beings away. In autumn, “they sang hush-a-bye songs in the fields, for the earth was tired” and they fear the winters when the bogles have nothing to do but make mischief. As the year turns, they wake the earth from its sleeping each spring, and welcome the green mist that brings new growth. In one family, a child pines, longing for the green mist to return with the sun. Through the long winter she grows so weak her mother must carry her to the doorsill, so she can crumble the bread and salt onto the earth to hail the spring. The green mist comes, scented with herbs and green as grass, and the child thrives, once again “running about like a sunbeam.” The green, gold, brown, and gray of the watercolors show fields and haycocks, knobby-kneed children and raw-boned elders, a counterpoint to the rich text. (Picture book. 4-9)
Pub Date: March 1, 1999
ISBN: 0-395-90013-1
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A polished, poignant retelling of a familiar legend and its worthy moral, that some things in life are worth more than their weight in gold. Greed drives King Midas when a mysterious stranger decides to grant his wish for a golden touch; too late the king realizes that everything he touches—roses, bed sheets, food, coffee, his beloved daughter—turns to cold yellow metal. By the time the stranger reappears, Midas is more than ready to return his gift. Rayyan’s illustrations create a rich, busy background for the events; harpies, sphinxes, and satyrs scurry around, while careful observers will spot Icarus plunging toward the earth at the same moment that Midas transforms his daughter, Marygold. Such wonderful details bind the art and the text with perfect alacrity, ensuring that this book will not be long on the shelves. (Picture book/folkore. 5-9)
Pub Date: March 15, 1999
ISBN: 0-8234-1423-X
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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