A poetic depiction of pain, queerness, Jewishness, and what it is to live.
In the first work of fiction from a poet who illuminates the queer and Jewish experiences, life flashes before the eyes of a nonbinary person who’s lit themself on fire.
It’s not a spoiler to say that poet Sax’s debut novel centers on an act of self-immolation. The novel begins with short descriptions of three smaller encounters with fire, three different burns, labeled first through third degree: a painful childhood accident at the stove, adolescent smoking, a ritual gone horribly wrong. The final section, which comprises the bulk of the novel, is the final degree of burn: immolation. In vignettes that transmute experience in associative fits and starts, as one might cycle through visions at the end of one’s life, the narrator, Ezra, reflects on the world they inhabit as a queer Jewish person: a world that shifts mainly between Yiddishland and a gritty, sometimes ugly, but enchanting New York City. The fragments bounce back and forth in time, as Ezra inhabits the lives of their ancestors in the old country, the moment of their conception, their ambulance trip after their final act, and everywhere in between. Ezra’s musings span not just time and space but a range of topics—from Jewish ancestral legacies to technology and the internet to gender identity to parent-child relationships—and draw upon a deep well of references. The novel is replete with vivid images, the strength of which is rare outside of poetry. Sax has produced a work that is meditative, deeply humane, and profoundly original. Less plot-driven than language-, emotion-, and image-driven—a poet’s novel through and through—the result is a searingly beautiful and devastating foray into fiction.
A poetic depiction of pain, queerness, Jewishness, and what it is to live.Pub Date: Aug. 6, 2024
ISBN: 9781952119996
Page Count: 285
Publisher: McSweeney’s
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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