Next book

CRANKENSTEIN

Get ready to read this aloud a lot. (Picture book. 3-7)

Whoa. Be prepared for the intense frustrations, the moody outbursts and the green scowls of Crankenstein.

Berger, who must be writing from direct experience with such a fellow, wryly informs readers what to expect. When offered a huge stack of pancakes with only the last small drop of syrup, Crankenstein’s reply is an angry “MEHHRRRR!!” A similar response comes when it is “time for school” or “when it’s WAY too hot for Popsicles” or “when…it’s bedtime.” Santat brilliantly utilizes Adobe Photoshop to zoom in on every extreme facial expression and clenched fist that conveys the barely contained anger and leads to the eventual unleashing of Crankenstein’s fury. Each setting reveals sly comic elements that both kids and their grown-ups will appreciate. Readers will laugh out loud at the monster’s seemingly over-the-top reactions and relate to the many tantrum-provoking situations. Being forced to swallow gross cough syrup? Waiting forever in line for anything? In the end, only a fellow Crankenstein can jolt him back to normalcy. Perhaps such extreme behavior is truly funny when spotted in another.

Get ready to read this aloud a lot. (Picture book. 3-7)

Pub Date: Aug. 13, 2013

ISBN: 978-0-316-12656-4

Page Count: 40

Publisher: Little, Brown

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller

Next book

CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2022


  • New York Times Bestseller

When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

Next book

JULIA'S HOUSE MOVES ON

From the Julia's House series

This magical wisp of a story has an imaginative message for both planners and improvisers.

Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.

Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)

This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)

Pub Date: Sept. 29, 2020

ISBN: 978-1-250-19137-3

Page Count: 40

Publisher: First Second

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

Close Quickview