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ROCK WHAT YA GOT

A book for new and seasoned artists alike.

An artist’s sketch of a little girl comes alive with a message of self-love in Berger and Kerascoët’s debut collaboration.

“Once upon a black piece of paper, where anything could happen… / an artist picked up a pencil and started to draw.” And where pencil meets paper, little Viva comes to be. But something about Viva isn’t right, or so her artist thinks, and down comes the eraser until Viva jumps right off the page in protest. “Excuse me, lady artist, ma’am, / but I like me the way I am,” she insists, and as her artist tries changing Viva’s hair, her body, and her background (all to no avail), Viva responds with variations on a refrain: “Find what is yours and carve out your spot… / take it and love it and rock it a lot!” Berger’s prose is a joyous celebration of self-love and empowerment, as Viva not only challenges her artist’s perfectionism to reframe supposed flaws, but also reminds her that “rock what ya got” was once the artist’s own powerful mantra. Kerascoët captures this same exuberance and breathes life into every inch of the page, juxtaposing the realistic world of the artist with Viva’s two-dimensional vibrancy. Nostalgia features heavily here but doesn’t weigh down the otherwise energetic narrative. Viva’s look is informed by the artist’s self-image, and both are illustrated as racially ambiguous, with beige skin and vigorously curly dark hair.

A book for new and seasoned artists alike. (Picture book. 3-7)

Pub Date: Sept. 25, 2018

ISBN: 978-0-316-56150-1

Page Count: 40

Publisher: Little, Brown

Review Posted Online: June 23, 2018

Kirkus Reviews Issue: July 15, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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