What’s meant to be a cultural celebration is, alas, culturally inaccurate.



What’s a birthday without a piñata?

A young girl’s family, along with some talented farm animals, get cracking as soon as she leaves for the market. To the traditional rhythms of “The House that Jack Built,” clay is gathered, water hauled, paper shredded, etc., until all is ready for the celebration. The girl and the code-switching rhyming scheme from Vamos’ The Cazuela that the Farm Maiden Stirred (illustrated by Rafael López, 2011) return for more Spanish vocabulary reinforcement. The inclusion of Oaxacan alebrijes indicates the setting is Mexico. As such, it’s puzzling as to why “pasta” is used for the glue paste instead of the correct piñata-making term: “engrudo.” The European term “farm maiden” is also incongruous to the setting. Barcelona-based Serra’s inaccurate illustrations further the sense of inauthenticity. The characters present as Spaniards and not Mexicans, as evidenced by clothing and hats. Plain wood carvings are substituted for the fantastical alebrijes referenced in the text. Papel picado banners are depicted as pennants instead of rectangles. His piñata seems to have clay points rather than cardboard. Even the “brilliant bluebells” the caballo picks are European rather than Mexican. To add insult to injury, the glossary includes Anglicized pronunciations: “sor-PRAY-sah” instead of sor-PREH-sah for “surprise.” Such lighthearted touches as the cat ferociously shredding paper cannot mitigate the book’s flaws.

What’s meant to be a cultural celebration is, alas, culturally inaccurate. (piñata instructions, glossary) (Picture book. 4-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-58089-796-9

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Oct. 28, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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An interactive book works to get its titular message across to readers.

The narrator, an anthropomorphic cartoon heart with big eyes and stick arms and legs, is nothing if not exuberant in its attempts, clumsy and cloying as they may be. “I love you so much, / but there’s more in my heart. / How is that possible? / Well, where do I start? // Now move in close, and you will see / just how much you mean to me. // My love is huge—below, above. / As you can tell, there’s always more love!” The page following the instruction to move in shows a close-up of the top of the heart and its eyes, one stick arm pointing skyward, though despite the admonition “you can tell,” readers will glean nothing about love from this picture. À la Hervé Tullet, the book prompts readers to act, but the instructions can sometimes be confusing (see above) and are largely irrelevant to the following spread, supposedly triggered by the suggested actions. The heart, suddenly supplied with a painter’s palette and a beret and surrounded by blobs of color, instructs readers to “Shake the book to see what I can be.” The page turn reveals hearts of all different colors, one rainbow-striped, and then different shapes. Most troublingly, the heart, who is clearly meant to be a stand-in for loved ones, states, “I’m always here for you,” which for too many children is heartbreakingly not true.

Skip. (Picture book. 4-7)

Pub Date: Jan. 1, 2020

ISBN: 978-1-7282-1376-7

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Not the most eggceptional tale on the Easter story shelf but still a fun-enough outing for fans of Turkey’s holiday-themed...


From the Turkey Trouble series

The fourth entry in the Turkey Trouble series finds Turkey and his animal friends attending a children’s Easter egg hunt at a park next to Turkey’s farm.

Turkey and his pals want to win an “eggstraspecial” prize at the egg hunt, but the event is only for children—not animals. So the group of animal friends decides to attend the egg hunt in disguise and treat their adventure as a “secret mission.” Their disguises include dark glasses and costumes suggesting a rabbit, a bee, and a bunch of daffodils, but each attempt to participate in the egg hunt is rebuffed by the human attendees. The animals work together to create a large, egg-shaped costume for Turkey from a wicker basket, and Turkey and the boy who finds him in egg mode both win special prizes. Turkey shares his prize of a huge, jelly-bean–topped pizza with all his animal buddies. The mildly humorous story has funny animal characters, inventive action, and lots of puns incorporating “egg” into other words. Cartoon-style watercolor-and-pencil illustrations add to the humor with amusing animal expressions and the ongoing series theme of silly costumes. Several of the children at the egg hunt are children of color; the other human characters present white.

Not the most eggceptional tale on the Easter story shelf but still a fun-enough outing for fans of Turkey’s holiday-themed series. (Picture book. 4-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-5420-4037-2

Page Count: 40

Publisher: Two Lions

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Feb. 1, 2019

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