by Samantha Seiple ‧ RELEASE DATE: Feb. 26, 2019
A useful addition to the Alcott archives that would also appeal to younger readers.
A tightly focused biography on a brief period in the life of Louisa May Alcott (1832-1888): her time as a nurse during the Civil War.
Alcott’s life seems like something out of our imagination. She was raised in Concord, Massachusetts, with a transcendentalist father and social worker mother, and she became closely acquainted with John Brown, Harriet Tubman, and Frederick Douglass, with whom she shared abolitionist sympathies. Though she experienced a wealth of intellectual stimulus, she and her family also struggled financially, causing her and her sisters to seek work where they could find it. As young adult nonfiction author Seiple (Death on the River of Doubt: Theodore Roosevelt's Amazon Adventure, 2017, etc.) shows, that was a most difficult task in 1860s America, where options for women were severely limited. Thankfully, Alcott realized her writing talent early, and by her late 20s, she had published a book as well as articles in the Atlantic Monthly. In 1858, tragedy struck with the death of her younger sister, despite Louisa’s devoted nursing. By 1862, she discovered the popularity of sensational thrillers published in Frank Leslie’s Illustrated Newspaper and provided a steady stream of stories under a male name, thus providing a small income. Even with her literary success, she felt the need to affect the ongoing war, so she volunteered and traveled to Washington, D.C., to serve at the Union Hotel Hospital. There she met a badly wounded man who opened her heart and wakened her authentic voice, transforming her characters and stories forever. During her time at the hospital, Alcott nearly died of pneumonia and returned to Concord. There she wrote Hospital Sketches, Thoreau’s Flute, and Pauline’s Passion and Punishment, which earned enough to save her family. Then she published Little Women, in which “she expertly weaved her progressive beliefs and empathetic insights…creating original and unforgettable characters.” Throughout, Seiple’s fluid style of writing displays few fireworks but makes the story read like a novel.
A useful addition to the Alcott archives that would also appeal to younger readers.Pub Date: Feb. 26, 2019
ISBN: 978-1-58005-804-9
Page Count: 256
Publisher: Seal Press
Review Posted Online: Nov. 19, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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