An intriguing romance debut that centers class struggles along with the love story.
A woman destined to be a duchess finds herself at the bottom of the ton.
Lady Amelia Crofton, diamond of the ton, is finally getting married, but not to the man she’s been engaged to since childhood. No, rather than becoming Lady Wildeforde, she’s being rushed to the altar with Benedict Asterly, son of a footman and noblewoman—“a mere mister.” Benedict thought he was doing a good deed by rescuing Amelia from her overturned carriage in the middle of a snowstorm, but instead, it appears she has been compromised, and both find themselves trapped in a marriage they do not want, far from London. Benedict does have a grand house, courtesy of his mother, who never recovered from her hasty marriage below her station, so he eschews society in favor of his beloved business building steam engines. Amelia, having been raised to be the wife of a duke, can’t do anything practical, like start a fire or cook. She quickly makes friends with Benedict’s little sister and tries to make herself useful. Indeed, before long, Benedict and Amelia do uncover a shared attraction, bolstered by each discovering the other is more complex and intriguing than they had assumed. And they are each grappling with class tensions: The society Amelia was raised for may no longer want her in their ranks, and the community Benedict tries to support may no longer want him, or any relation of the aristocracy, either. Parish’s cleareyed examination of what life was like outside the Regency beau monde makes this debut romance a welcome addition to the genre, allowing readers the usual glimpse into the fashion and gossip of the time while also exploring how many people worked behind the scenes to make those dinners and hunting parties seem so effortless as well as the combined grievance and gratitude they might feel toward their employers. Amelia and Benedict’s story is a classic marriage-of-convenience tale told well, with a handful of intimate scenes, but the couple's relationship primarily blooms through their growing respect for each other’s abilities. Several charming supporting characters are introduced, and readers will look forward to seeing if Parish is able to use future entries in the series to continue her study of the Regency world across class boundaries.
An intriguing romance debut that centers class struggles along with the love story.Pub Date: May 25, 2021
ISBN: 978-1-5387-0448-6
Page Count: 352
Publisher: Forever
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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