An intriguing romance debut that centers class struggles along with the love story.
A woman destined to be a duchess finds herself at the bottom of the ton.
Lady Amelia Crofton, diamond of the ton, is finally getting married, but not to the man she’s been engaged to since childhood. No, rather than becoming Lady Wildeforde, she’s being rushed to the altar with Benedict Asterly, son of a footman and noblewoman—“a mere mister.” Benedict thought he was doing a good deed by rescuing Amelia from her overturned carriage in the middle of a snowstorm, but instead, it appears she has been compromised, and both find themselves trapped in a marriage they do not want, far from London. Benedict does have a grand house, courtesy of his mother, who never recovered from her hasty marriage below her station, so he eschews society in favor of his beloved business building steam engines. Amelia, having been raised to be the wife of a duke, can’t do anything practical, like start a fire or cook. She quickly makes friends with Benedict’s little sister and tries to make herself useful. Indeed, before long, Benedict and Amelia do uncover a shared attraction, bolstered by each discovering the other is more complex and intriguing than they had assumed. And they are each grappling with class tensions: The society Amelia was raised for may no longer want her in their ranks, and the community Benedict tries to support may no longer want him, or any relation of the aristocracy, either. Parish’s cleareyed examination of what life was like outside the Regency beau monde makes this debut romance a welcome addition to the genre, allowing readers the usual glimpse into the fashion and gossip of the time while also exploring how many people worked behind the scenes to make those dinners and hunting parties seem so effortless as well as the combined grievance and gratitude they might feel toward their employers. Amelia and Benedict’s story is a classic marriage-of-convenience tale told well, with a handful of intimate scenes, but the couple's relationship primarily blooms through their growing respect for each other’s abilities. Several charming supporting characters are introduced, and readers will look forward to seeing if Parish is able to use future entries in the series to continue her study of the Regency world across class boundaries.
An intriguing romance debut that centers class struggles along with the love story.Pub Date: May 25, 2021
ISBN: 978-1-5387-0448-6
Page Count: 352
Publisher: Forever
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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