Next book

PEOPLE LIKE THEM

Deeply unsettling yet compulsively readable.

A horrific real-life quintuple murder in a sleepy French village inspired this novel.

What would it take to provoke extreme savagery in a seemingly normal person? This is the question Anna Guillot explores after her husband, Constant, kills five members of the Langlois family—Bakary, Sylvia, and their three children—in a fit of extreme rage. For a long time, the residents of the placid French village of Carmac haven't felt any real threats. They watched the November 2015 terrorist attacks in Paris at a remove, through televised media coverage. All that changes when Bakary Langlois arrives with his family. Not only is Bakary Black, he is also rich, a markedly different social class than most other Carmac residents. His custom-built chalet is a source of envy, especially for Constant, his neighbor. Anna narrates two stories: One looks back at her husband’s early days as a promising pole vaulter whose athletic dreams are crushed by a nasty accident while the other details the systematic resentment that builds in an already fractured Constant, whose perceived indignities are compounded when Anna finds work as a maid at the Langlois chalet. Then the cauldron of simmering resentment boils over when Bakary swindles Constant out of his parents’ life savings: 8,000 euros. In her first novel to be translated into English, Sedira packs a powerful punch, exploring the class-race divide through Constant, Anna, and the rest of the town’s residents. The graphic murders stand in stark contrast to Sedira's subtle accounting of Constant’s tortured path. At the center of the tragedy is complicity: Constant is never made to realize that a bad hand might be crippling but not reason enough to take it out on the perceived “other.”

Deeply unsettling yet compulsively readable.

Pub Date: July 6, 2021

ISBN: 978-0-14-313627-9

Page Count: 192

Publisher: Penguin

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 1, 2021

Next book

THE UNKNOWN

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Could making a movie about the disappearance of five women from an island reawaken an evil presence there?

Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Pub Date: Aug. 4, 2026

ISBN: 9798217044092

Page Count: 368

Publisher: Dutton

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

Next book

THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

Close Quickview