A son’s story, a Jewish story, an American story.
Prize-winning journalist Freedman reconstructs his mother’s biography.
Freedman’s mother died of breast cancer more than a quarter of a century ago—indeed, his stepmother has been a part of his life longer than his mother was. And now, in middle age, he decided to learn what he could about Eleanor Hatkin Freedman, her life before marriage and motherhood. The result is terrifically intimate: a son growing up in Jewish New York at mid-century, and a son, decades later, coming into his grief through a process of research. The account of Eleanor’s mother’s efforts to get her relatives out of Nazi Europe is heroic, harrowing, and heartbreaking—though not intimate to the point of myopia. There’s also American history here, as when Freedman explains about Eleanor’s following the model of Rosie the Riveter, or about the pre-rationing runs on stores. And there’s the transfixing undercurrent of soap opera. Freedman’s mother fell in love with a gentile and would have married him had her own mother not reacted histrionically. Instead, she hastily married a good Jewish boy, only to have that marriage annulled not long after the chuppah. Her subsequent courtship with Freedman’s father is summarized in a few paragraphs, and the entirety of Eleanor’s second marriage is skipped—until the chapter about her death. This large omission, surprisingly, works. You get no sense of being cheated of mother-and-wife, since Freedman (Columbia Univ./Jew vs. Jew, 2000, etc.) has so clearly established that his purpose has been to uncover an earlier Eleanor, an earlier era. Nor should anyone skip the concluding note on sources. There, Freedman throws down a gauntlet: he is concerned, he says, by the trend in memoir and family history to blur fact and fiction, to invent what you can’t remember. His reconstruction, he insists, is history, and as factually accurate, and historiographically informed, as possible.
A son’s story, a Jewish story, an American story.Pub Date: April 1, 2005
ISBN: 0-7432-2735-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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