A surprisingly upbeat thriller with loads of charm.
After a young boy is shot and killed, a group of high-school friends wages a digital war against a local gang in Muggington’s (People of the Stones, 2013, etc.) techno-thriller.
A gunshot immediately stops a basketball game in New York City’s Harlem neighborhood, and a young man named Clown is devastated to see that his baby brother, Sam, has been killed. Clown’s friend Mountain holds the disreputable Original Young Gangsters responsible for the murder, and proposes a club, Force for Good, to seek justice. The club, including a brilliant computer hacker named Ordinary, decides to nonviolently retaliate in the only way they know how—by using the Internet as a weapon. Muggington offers a buoyant story that, despite its cruel thugs and occasional murders, reads like a YA novel. This is due to the author’s wise decision to tell the tale from the high-schoolers’ perspective; Mountain, for example, considers school a “waste of time,” and the story portrays all adults as useless, from the basketball coach who doesn’t know his players’ names to the New York mayor who’s so inept that an aide has to pull him away from a cluster of reporters. FFG’s digital vengeance is amusingly optimistic, steering clear of cyber attacks and instead putting OYG members in the public spotlight to diminish their street cred. Although Mountain starts the club, Ordinary drives the narrative; his skills eventually catch the attention of both the cops and the National Security Agency. He even gets the best jokes, as when he scoffs at the supposed “geniuses” at an Apple Store before hacking its electronics; when asked by Mountain to “speak English,” he reiterates the same intricate terminology, only slower. The author sprinkles the story with ironic monikers; for example, Sexpot, a female FFG member, infiltrates the OYG without using sex, and Ordinary is anything but. There are also clever, animal-inspired metaphors, as when Mountain pokes his head out of an elevator “like a groundhog in its earthy home checking for predators” or when scrolling numbers on a computer are compared with “ants scattering from the descending doom of a giant shoe.” The ending, however, wraps things up a little too neatly, and may make readers wish that this brief book was a bit longer.
A surprisingly upbeat thriller with loads of charm.Pub Date: Sept. 20, 2013
ISBN: 978-1491237304
Page Count: 116
Publisher: CreateSpace
Review Posted Online: Nov. 4, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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