Groundbreaking and unforgettable.
In Aleppo City, in 2013, young Amina’s life is changed forever when a bomb destroys her neighborhood and her family joins the millions of refugees fleeing Syria.
In this graphic novel, Amina uses flashbacks and spare text to narrate her journey from living a happy life in Syria to resettling in Canada as a refugee. Amina is a bright student whose favorite part of the day is returning home from school, where she is greeted warmly by her grandfather and then reads books in the home of her uncle, a professor. This life ends with an explosion on the second page. Her family flees to Lebanon, where they end up in a refugee camp when their savings run out. Amina is lucky to get a spot in the overcrowded schools, but when her brother falls ill, the family must make a series of heartbreaking decisions in order to pay for his lifesaving medications. When the stress of renewing expensive visas becomes too much and unethical smugglers make life impossible, Amina finally finds help with a resettling agency. The story wraps up quickly from there. Based on Kullab’s extensive experience with refugees, the novel skillfully depicts situations and drastic decisions many Syrian refugees face. The graphic-novel format is perfect for the story, using cinematic techniques to propel the story and adding poignant notes, as when Amina’s father reads a text message asking for help and conceals it from her. Extensive endnotes highlight the true events referenced in the book.
Groundbreaking and unforgettable. (Graphic historical fiction. 12-17)Pub Date: Oct. 1, 2017
ISBN: 978-1-77085-982-1
Page Count: 96
Publisher: Firefly
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist.
Insightful, illuminating memoir of a year under a totalitarian regime.
In 2005-06, Delisle (Shenzhen: A Travelogue from China, 2006, etc.) accompanied his wife, who works as an administrator for Doctors Without Borders, to the country recognized by the United Nations as Myanmar. The United States and other democratic countries, however, still call it Burma, refusing to recognize the legitimacy of the military junta that seized power in 1989. As in the illustrator’s previous adventures in China and North Korea (Pyongyang, 2005), the focus is less on politics and more on the lives of the people he encounters—though such lives are profoundly shaped by politics. He comes to accept checkpoints and censorship as routine, and he does his best to find a suitable home, survive with intermittent electricity and Internet access and take care of his toddler son Louis, whose charm transcends cultural borders. The author also fears malaria, bird flu and poisonous snakes, though the DWB medical community provides more comfort than much of the Burmese citizenry enjoys. Delisle writes and illustrates a children’s booklet on HIV, an important contribution to a country in which heroin and prostitution are rampant. As in previous volumes, his eye for everyday detail combined with droll, matter-of-fact narration humanizes his 14-month experience in a country that might seem traumatic, even intolerable, in other hands. “There were no demands and no uprisings either,” he writes. “Things are always very calm here, thanks to a regime that creates paralysis by fomenting fear on a daily basis.” The undercurrents of Buddhism throughout the book culminate in his visit to a temple, where his meditation proves transformative.
Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist.Pub Date: Sept. 16, 2008
ISBN: 978-1-897299-50-0
Page Count: 208
Publisher: Drawn & Quarterly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
This slender graphic adaptation of the Great American Novel preserves some of Twain’s language, most of his plot and a good sense of his sardonic take on human society. Mixing dialogue balloons with enough boxed narrative to evoke Huck’s distinctive voice, Mann packs in all of the major incidents and tones down at least some of the violence—the two con men are only “punished” here rather than specifically tarred and feathered, for instance. Similarly, though Huck gets viciously slapped around by his father in the pictures, in general there isn’t much other blood visible. The illustrator’s faces tend toward sameness, but Kumar populates his color art with strong, stocky figures, depicts action effectively and, by using irregular frames and insets, sets up an engrossing helter-skelter pacing. A good choice for readers who aren’t quite up to tackling the original, with perfunctory but well-meant notes on Twain’s life and the history of slavery in the United States. Co-published with its prequel, The Adventures of Tom Sawyer, adapted by Matt Josdal, illustrated by Brian Shearer (ISBN: 978-93-80028-34-7). (Graphic classic. 12-14)
Pub Date: Oct. 19, 2010
ISBN: 978-93-80028-35-4
Page Count: 72
Publisher: Campfire
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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