Bittersweet and elliptical, a narrative in which not much happens but everything changes.
A rites-of-passage portrait of the graphic artist as a young man.
For more than 20 years, French Canadian cartoonist Delisle has chronicled his experiences as a vagabond traveler, with graphic narratives taking readers to Burma, Jerusalem, North Korea, and elsewhere. Here, he provides a kind of origin story of his formative years in Quebec City, when he was drawing for fun and unsure how to translate his talent into a career. Beginning at the age of 16, he spent his first of three summers working at the local paper mill, which produced newsprint for the likes of the New York Times. His father had spent his professional life as an engineer at the factory, but the author rarely saw him. Most of what’s important in the narrative goes unsaid, or barely said, with Delisle and his father failing to connect. In the drawings, which any Delisle fan will appreciate, the mill and its machinery exert a greater physical presence than any of the characters. The author remembers himself as a “loner,” more interested in going to the library than interacting with his fellow workers, some of whom are overly friendly, others brutish and ill-tempered. Those with whom he formed any sort of bond could be gone the next summer, and he chronicles how he visited his father, who no longer lived with the family, only once each summer. During the rest of the year, Delisle pursued an education as an animator, and though he was prepared to return for a fourth summer at the mill, an employment offer provided the pathway to his career in cartooning. He and his father never discussed his art, at least as portrayed in these pages, but when he died, the author discovered his father kept much of his work.Bittersweet and elliptical, a narrative in which not much happens but everything changes.
Pub Date: June 15, 2021
Page Count: 156
Publisher: Drawn & Quarterly
Review Posted Online: April 12, 2021
Kirkus Reviews Issue: May 1, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Awards & Accolades
Best Books Of 2017
New York Times Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Pub Date: April 18, 2017
Page Count: 352
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Britney Spears ‧ RELEASE DATE: Oct. 24, 2023
Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
A heartfelt memoir from the pop superstar.
Spears grew up with an alcoholic father, an exacting mother, and a fear of disappointing them both. She also displayed a natural talent for singing and dancing and a strong work ethic. Spears is grateful for the adult professionals who helped her get her start, but the same can’t be said of her peers. When she met Justin Timberlake, also a Mouseketeer on the Disney Channel’s updated Mickey Mouse Club, the two formed an instant bond. Spears describes her teenage feelings for Timberlake as “so in love with him it was pathetic,” and she’s clearly angry about the rumors and breakup that followed. This tumultuous period haunted her for years. Out of many candidates for villains of the book, Timberlake included, perhaps the worst are the careless journalists of the late 1990s and early 2000s, who indulged Timberlake while vilifying Spears. The cycle repeated for years, taking its toll on her mental health. Spears gave birth to sons Sean Preston and Jayden James within two years, and she describes the difficulties they all faced living in the spotlight. The author writes passionately about how custody of her boys and visits with them were held over her head, and she recounts how they were used to coerce her to make decisions that weren’t always in her best interest. As many readers know, conservancy followed, and for 13 years, she toured, held a residency in Las Vegas, and performed—all while supposedly unable to take care of herself, an irony not lost on her. Overall, the book is cathartic, though readers who followed her 2021 trial won’t find many revelations, and many of the other newsworthy items have been widely covered in the run-up to the book’s release.Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
Pub Date: Oct. 24, 2023
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 25, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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