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MUSTAFA'S MITHAI

A celebration of life’s sweetest things: dessert and friendship.

A South Asian boy shares his favorite foods with his friends.

Mustafa loves mithai (a Hindi word that describes a variety of confections), which he and his family eat on special occasions. Unfortunately, Mustafa feels like his family has run out of celebrations: Eid and Mustafa’s father’s birthday are both over, and his grandparents have already visited. Will Mustafa ever eat mithai again? His mother points out that “every day can be a happy occasion when you’re with the ones you love,” so Mustafa invites his friends over for a playdate, complete with mithai. Mustafa plans to let his pals select their own desserts, but when they arrive, they’re too overwhelmed to make up their minds. It’s up to Mustafa to choose “the perfect mithai” for each of his friends, and he plays matchmaker, picking out falooda for Kent (“It’s full of surprises, just like you!”), ladoo for Pooja (“It’s round just like your soccer ball”), jalebi for Beau (“It’s orange like your shirt”), and more. Both the sumptuous-looking sweets and the children’s smiling faces positively glow in Ali’s whimsical illustrations. Mustafa’s thoughtful decision-making, the joy he finds in making his friends happy, and their enthusiasm for trying new foods all model good behavior for young readers. Mustafa’s friends are diverse.

A celebration of life’s sweetest things: dessert and friendship. (Picture book. 4-8)

Pub Date: June 17, 2025

ISBN: 9780593526125

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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