An engrossing, impressive debut novel that skillfully charts a young Frenchwoman’s coming-of-age.
A French teenager struggles to navigate her relationships with her famous parents in this moody bildungsroman.
Margot Louve’s life changes forever when she and her mother, Anouk, a successful stage actress, see her father’s wife outside a cafe in Paris. Suddenly, Margot begins to question the secret life that her father, Bertrand Lapierre, the French Minister of Culture, and her formidable, unconventional mother have built together. Though Margot adores her father, who remains a frequent presence in her life, his identity must remain a secret to the rest of the world. When faced with the reality of his other, public life and family, Margot begins to yearn for her father to leave his wife and takes a reckless step to encourage him to do so. This debut novel by Lemoine, a French Japanese writer who currently lives in New York, explores Margot’s relationships not only with her parents, but also with Brigitte and David, two older, married journalists with whom she develops an ambiguous, sexually fraught relationship. Lemoine excels at teasing out the ambivalent contours of relationships between teenagers and adults. At 17, Margot teeters between childhood and adulthood: Both insightful and immature, she is eager to be treated like a grown-up. Frustrated by adults who treat her like a child, she is drawn to people who seem to take her seriously. But these relationships are not straightforward, and as the book progresses, Margot reevaluates her ideas about Brigitte, David, and her parents. Though the novel is largely concerned with Margot’s interior emotional state, it moves at a satisfyingly quick pace, and Lemoine’s prose is visually and emotionally precise: “If she abandoned me,” Margot thinks of Anouk, “I’d have a concrete reason to blame her, other than this confused feeling of unhappiness.”
An engrossing, impressive debut novel that skillfully charts a young Frenchwoman’s coming-of-age.Pub Date: June 16, 2020
ISBN: 978-1-984854-43-8
Page Count: 336
Publisher: Hogarth
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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