Jones reminds us that there’s a lot to be outraged about these days.
A green reporter and her coldblooded editor go after a big, misogynistic fish in Jones’ #MeToo–era thriller.
Interviewing for a job at the powerful tabloid The Globe is a dream come true for Jess Townsend; she’s miles away from the local paper where she cut her journalistic teeth. After one uncomfortable moment with Max Forsythe, the editor, she learns that he's going to hire her because she seems to have a moral compass, and Max is looking to steer the paper out of its nasty-gossip–infested waters into the world of more serious journalism. This is news, however, to Stella Thorne, the deputy editor who ruthlessly sets up stings to catch celebrities in flagrante delicto, and to the owner, Peter Kingsley, who just wants the money to keep rolling in. When Jess is forced to help set up a young actress in a fake drug bust, she can hardly live with herself; then, a hot reality TV star becomes the target of the paper, and a false story about her having an affair leads to her death by suicide. As Jess begins to reckon with this tragedy and her own role in it, she stumbles onto a much bigger story about a wealthy tycoon who has been drugging and raping young women for years. It just so happens that Stella has personal reasons to believe Jess and the motive, therefore, to team up with her to take down the bastard once and for all. But the corruption at the paper runs deep, and Jess and Stella's quest for justice is mostly unfulfilled, though there's some hope in the end. Jones unapologetically stares down the ugliness of the modern media and its coldblooded exploitation of celebrities to benefit those truly in power, as well as the rampages of fake news. It’s a novel that couldn’t exist without #MeToo, but it falls short of its desired impact—it’s too busy prioritizing thrills over character development. Stella has the biggest awakening, “realiz[ing] that all she's ever done is what powerful men have wanted her to do”; Jess exists mainly to offer her a mirror but contributes little complexity or humanity to the narrative.
Jones reminds us that there’s a lot to be outraged about these days.Pub Date: Aug. 15, 2023
ISBN: 9781250836939
Page Count: 304
Publisher: Minotaur
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
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