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BETWEEN THE CRACKS

THE LIFE OF AN ORDINARY WOMAN WITH EXTRA ORDINARY GIFTS

A rich, evocative tale of growing up in Canada.

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In this coming-of-age novel, a young woman grapples with faith and unusual powers.

Bradley’s bildungsroman tells the story of Grace MacGregor. A brief prologue informs readers of Grace’s gifts, which include sensing someone’s past and future and even traveling through time. But the prologue is a bit of misdirection; Grace’s first-person narration is a detailed and largely realistic depiction of growing up after the Depression. In the opening chapters, she fondly recalls her childhood in Northwestern Ontario with her resourceful mother and handy father, an employee of the Canadian Pacific Railway. Grace, eager to attend school, is entranced by her older brother Joey’s books. Even though she can’t read them, she pores over the stories from The Lives of Saints. Her interest spawns an ambition. “When I grew up and was a teenager,” she thinks, “I was going to be a saint.” The gift Grace uses the most is her ability to see light coming off people. For instance, in the presence of pubescent teens, she notices: “They had all these oranges and reds streaming out of their privates and yet they still glowed the baby colours around their hearts.” The first of the novel’s four sections collects such family memories as an exciting summer trip to Biscotasing, her father’s hometown. In the second section, Grace attends school; a serious student, she challenges her teacher, disturbing the nun. In the third section, “Leaving Town,” Grace’s sexual awakening unfortunately coincides with her enrollment in a convent boarding school. The author enumerates the miseries of the school and how most of Grace’s classmates attend against their will, “under duress.” Grace eventually changes schools; at age 16, she becomes a teacher. She experiences her first real romances, including an ill-fated one. Her powers help her see what’s coming: “Somewhere deep inside was a niggling that it wasn’t going to happen for me the way I would like it to.”

This series opener is a treasure trove of details and vivid characters. Grace certainly has intriguing abilities, but her powers don’t make the book more compelling. If anything, they at times distract from the well-wrought and intricate story of a Canadian family getting by. Bradley has a keen eye for detail. Grace describes how her Italian grandfather, her mother’s father, “rolled out the large blob of fresh pasta dough with a clean broom handle, and with a huge butcher knife cut it in fine strips.” While miserably hungry at the convent, Grace lists the food she squirrels away: “An ear of cold raw corn from the pantry, the starch making it barely edible; leftover boiled potatoes already turning greyish-black from having been left exposed on a pantry counter.” The novel’s main achievement is Grace, whose unusual powers mirror her strange temperament. The author skillfully captures the earnestness and innocence of Grace’s divine aspirations. “Please God, I didn’t mean to laugh at them,” she prays, when a pool hall proprietress falls on top of a priest. “Hope this doesn’t ruin things as I study to be a saint?” Moving through the years, Bradley’s chronicle reveals the youthful impatience to mature and be important but pauses here and there to sketch indelible portraits of human triumph and tragedy.

A rich, evocative tale of growing up in Canada.

Pub Date: N/A

ISBN: N/A

Page Count: 308

Publisher: Tellwell Talent

Review Posted Online: July 29, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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