A slender tale of surviving without men that haphazardly stitches together the fabric of some women’s lives.
From Dallas (The Persian Pickle Club, 1995, etc.), a transparently homespun tale of pioneering women facing tough challenges when their men go off to fight for the Union.
The story, which awkwardly mixes period settings with contemporary politics, is told in the form of letters from Alice Bullock to married sister Lizzie in Illinois. Alice, a recent bride now living on a small farm in Iowa, begins the correspondence as husband Charlie is about to go to fight Johnny Reb. She is also a quilter who delights in piecing fabric together and making squares: each chapter is framed with a commentary on quilting, which adds to the folksiness, but, since quilts by now have become feminist icons, they also add a discordant contemporary note. Alice, who has just fallen pregnant, is left to help taciturn and critical Mother Bullock run the farm. Alice soon miscarries but is somewhat cheered by getting together with neighboring women to make quilts for the soldiers. Life gets tougher, though, as the war continues: Charlie is taken prisoner, money is tight, and Alice is pursued by a malevolent Southern sympathizer, Samuel Smead, who tries to rape her. But Mother Bullock warms up to Alice and defends her when she’s accused of murdering the unpleasant Smead, whose decaying body is found near their farmhouse. Alice also describes her relations with the local women (whose friendships are not always dependable); Mother Bullock’s terminal breast cancer; and the difficulty of farming without a man’s help. Her advice to Lizzie, though, who has problems with her husband, and her observations on sex and birth control, often sound more like the stuff of the 21st century, as opposed to the 19th. The war eventually ends, as do the letters, and Alice, weary but proud, is ready for a new future and new quilting experiences.
A slender tale of surviving without men that haphazardly stitches together the fabric of some women’s lives.Pub Date: Oct. 1, 2000
ISBN: 0-312-20359-4
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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