A well-spun but familiar tale.

READ REVIEW

TALLGRASS

A Colorado beet farmer and his family are sorely tried by events of WWII.

When the U.S. government establishes a Japanese-American relocation camp in Ellis, Colo., in 1942, Loyal Stroud takes a view apart from most other townsfolk. Having “the enemy in their midst” riles the locals, but Loyal believes the whole thing is plain wrong. Why not round up all the German-Americans, too, while they’re at it? Aside from civic issues, Loyal has to figure out how to harvest his beets, what with Buddy, his son, enlisted, along with his farm hands. Against prevailing sentiment, Loyal hires three young men from the camp. And although Rennie, 14, the last child home, worries about her father’s decision, she and her mother, Mary, come to love the boys, who are from California farm country. And when Mary’s heart ailment finally gets bad enough for her to take the rest cure the doctor advised, the Strouds hire Daisy, the sister of one of the boys. Daisy works hard and speaks in a Hollywood tabloid lingo that charms the whole family. Their domestic harmony is rocked by news that Buddy is missing in action and—shockingly—that Rennie’s school friend Sally is found raped and murdered. Everyone except the Strouds and the sheriff believes “the Japs” did it, and the tension in town builds to the point of near-anarchy, when the local bigots get liquored up and try to take the law into their own hands. Throughout all this drama, as in most of Dallas’s work (Alice’s Tulips, 2000, etc.), a community of quilters, known here as the Jolly Stitchers, come and go, bringing cakes, covered casseroles and gossip to the sick and grieving. The parallels of a country at war then and now give this story a layer of poignancy, but otherwise, as is obvious from the start, the good guys win and the bad guys lose, and Buddy comes marching home.

A well-spun but familiar tale.

Pub Date: April 3, 2007

ISBN: 0-312-36019-3

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2007

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Did you like this book?

No Comments Yet
more