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OCCASIONS OF SIN

A MEMOIR

A tender but clear-eyed tribute.

Growing up with a mother whose big dreams were thwarted by a teenage pregnancy, inadequate education, and ill health.

Novelist Scofield (Opal on Dry Ground, 1994, etc.) also vividly evokes parochial and public school life in Texas during the 1950s. Her mother, who grew up poor and frail in West Texas, worked while she could on political campaigns, became a devout Catholic, and briefly took in a foster child. Her husband left her, had little to do with their children, and eventually remarried and disappeared altogether. From early childhood, Scofield was determined to achieve what her mother had been denied and to make all those sacrifices worthwhile. Young Sandra didn’t always understand Mom’s actions, like having herself photographed in the nude shortly before she died, but she was the most important figure in the life of her daughter, who treasured their times together talking, reading, and praying. Scofield recalls a childhood during which she was often the caregiver, making meals, taking charge of her younger sister, and nursing their mother. Sent away to Catholic boarding school, Sandra was homesick and lonely. In her junior year she came back to Odessa, Texas, to attend public school, where she found new challenges: boys, cliques, and a less nurturing atmosphere. Her greatest struggle, however, came in trying to keep her mother alive after a diagnosis of Bright’s disease, which was not then treatable. Ignorant of what the diagnosis meant, Scofield was not prepared for her mother’s long, painful illness at home and eventual death from kidney failure at age 33. Until the final, fatal day, Scofield was sure she could “rally the heavenly troops and keep her going.” Now middle-aged, the author still grieves for a woman who made mistakes, but was easy to love.

A tender but clear-eyed tribute.

Pub Date: Jan. 1, 2004

ISBN: 0-393-05735-6

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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