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JOBURG ZEN

Profoundly disturbing and disturbingly profound—a haunting, unforgettable story.

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In Martini’s thriller, a journalist researching a South African golf legend becomes entangled in the horrific events of his own youth that won’t stay buried.

Growing up in the violent chaos of South African apartheid in the 1980s and ’90s, Alex Lago and his disillusioned, nihilistic friends have one goal: “Getting out of Joburg alive. That was our African dream.” Lago does escape—barely. After decades away from his hometown, he returns to try to uncover the real history of Bobby Locke, world champion golfer and “South Africa’s greatest-ever sportsman.” Locke’s story, sadly, is characteristic of Johannesburg, which “doesn’t traffic much in happy endings”: Decades of alcoholism, systemic racism, misogyny, narcissism, numerous run-ins with the law, and a serious car accident involving a train eventually ended his career. The tragedies continued long after Locke died, when his reclusive wife and daughter ended their lives in a suicide pact. When Lago returns to his old stomping grounds, now radically different in terms of racial demographics and socioeconomic disparity, he realizes that Locke’s sad story shares parallels with Lago’s own youth—the drugs, the lawlessness, the desperation. The deeper he digs into Locke’s all-but-forgotten history, interviewing old friends and others who were close to the golfer, the closer Lago comes to unearthing the terrible truth that led him to leave Joburg so many years ago.

The intertwining of nonlinear stories—Lago’s horrible secret from his youth and Locke’s tragic life—keeps the momentum brisk until the very end and makes for a fascinating dichotomy that contrasts the Joburg of the past to the city in the present day. Another noteworthy attribute of the novel is the subtle way in which the author infuses social commentary into the storyline: “Africa’s the future, brother…The rich hiding behind walls and the rest living in hell. That’s the entire history of our species…Not a coincidence the richest dude in the history of the world is a white South African, right?” Unarguably, the most impressive element of the novel, which is based on true events, is Martini’s distinctive prose, which is simultaneously eloquently brutal, lyrical, and deeply philosophical. Many novels have a handful of good lines; some releases have no noteworthy passages. The truly memorable sentences in this dark gem of a novel are bountiful: “Joburg is a crack whore in a torn dress, fighting on a street corner on a Tuesday afternoon, wig ripped off, shoes lost, spit and blood flying”; “I remember the frail Edwardian houses as they once were, their verandas crowded with people on summer evenings, but they pass by in the night now as gutted husks of crumbled masonry and emptied misery, the old art déco buildings iridescent in open-pit fires, squat vertical slums of absence.” Historical fiction aficionados will be more than impressed by Martini’s meticulous descriptions of Joburg throughout the decades, and crime story and mystery fans will enjoy puzzling out Lago’s secret. This unsettling fusion of historical fiction and brutal noir thriller also functions effectively as a coming-of-age tale—Lago’s harsh journey of self-discovery is laden with nuggets of existential wisdom, such as the realization that some things are best left in the past.

Profoundly disturbing and disturbingly profound—a haunting, unforgettable story.

Pub Date: Oct. 1, 2026

ISBN: 9781685138004

Page Count: 402

Publisher: Black Rose Writing

Review Posted Online: Aug. 5, 2026

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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