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FEINGOLD

A NEW DEMOCRATIC PARTY

Not an official biography, but it might as well be.

Admiring portrait of the maverick liberal who was the only U.S. Senator to oppose the Patriot Act and the first to call for a timetable for American troop withdrawal from Iraq.

Horwitt, the biographer of activist Saul Alinsky (Let Them Call Me Rebel, 1989), draws extensively on interviews with friends, family and colleagues of the 54-year-old, twice-divorced Wisconsin Democrat. Russ Feingold grew up in one of the few Jewish families in Janesville, a small farming community. His Yiddish-speaking Russian grandfather Max owned a grocery store; his father was a progressive lawyer. One of five children, Feingold early showed himself to be bright, hardworking and a self-described “renegade by nature,” waging campaigns at his high school for a more relaxed dress code and other reforms. He first tasted politics at the University of Wisconsin, where he campaigned for John Lindsay in the 1972 Presidential primary. After college and a stint as a Rhodes scholar at Oxford, he attended Harvard Law, practiced briefly and won election to the Wisconsin state senate in 1982. Ten years later, at 39, he became the youngest member of the U.S. Senate. He co-sponsored the McCain-Feingold campaign-finance reform bill, passed in 2002, led efforts to censure George Bush over NSA wiretapping of international phone calls and remains a steadfast opponent of the Iraq war. Written with the senator’s cooperation, the book describes an unfailingly courageous politician who champions reform in the progressive tradition of Teddy Roosevelt and Wisconsin Governor Robert M. La Follette, often to the consternation of colleagues. “You’re not living in the real world,” Hillary Clinton told him when he objected to the Democratic Party’s efforts to gut McCain-Feingold. Noting that the Wisconsin senator has been discussed as a possible presidential contender, the author suggests that Feingold offers “a serious, authentic alternative” to Washington’s Democratic establishment.

Not an official biography, but it might as well be.

Pub Date: July 24, 2007

ISBN: 978-1-4165-3492-1

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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