by Sanjena Sathian ‧ RELEASE DATE: March 11, 2025
An overdetermined tale of status and sexism.
A fizzled marriage, baby anxiety, and a peculiar doppelgänger lead a woman on a strange journey.
Sanjana Satyananda, the narrator of Sathian’s second novel, is in disarray. She’s left her actor husband, Killian Bane, in Goa after confessing that she’d had an abortion. She’s dropped out of her graduate anthropology program at Yale. Her friends’ settling down grates on her, and she’s been booted from her sister’s Connecticut home after having been caught having sex there. And strange DMs are arriving: Why is she being congratulated by a stranger for being pregnant? From this setup, Sathian unspools a wide-ranging, at times hallucinatory yarn that encompasses her protagonist’s frustrations with rigid rules about femininity, motherhood, Indian American social norms, and more. Sanjana’s search for answers leads her back to India, where she attempts to track down Killian (now pursuing a Bollywood career) and his new partner, a lifestyle influencer named Sanjena Sathian (just like the author; note the ever-so-slight spelling difference from Sanjana). Not for nothing does the novel feature an epigraph from the Gothic classic Rebecca; the novel is rife with doppelgängers, gaslighting, hidden histories, and more, all to the purpose of questioning the behavioral expectations placed on women like Sanjana. (“What made them want to change? What drew all these people to the other realm, the next stage of prescribed adulthood, while I was being left behind?”) It’s a noble goal, with fine set pieces that are both funny and melancholy, but its range is also a problem. The novel veers tonally from page-turning goofiness (mainly featuring a dog whose Instagram Sanjana is tasked with maintaining) to noirish melodrama, in a dense plot the latter pages strain to clarify. The depth of Sanjana’s crisis is clear, but the story’s ever-shifting status obscures her emotional state.
An overdetermined tale of status and sexism.Pub Date: March 11, 2025
ISBN: 9780593489772
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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