An Englishwoman with a mysterious past struggles to hold on to a country hotel.
In 1966, Floriana, a girl from a tiny Tuscan village, discovers a walled garden and an attached villa belonging to a wealthy industrialist, Beppe, who allegedly has Mafia connections. Scaling the wall, Floriana is soon befriended by Beppe’s son, Dante, and the family dog, Good-Night. Cut to 2009: Marina, who with her husband Grey and a few loyal retainers transformed a Devonshire mansion into the charmingly rustic Hotel Polzanze, fears that mounting debt may force them to sell the place. Grey’s adult children, Jake and Clementine, have never warmed to Marina since she broke up their father’s first marriage when they were youngsters. Clementine in particular has been in a sulk since family finances forced her to return from travels in India to take a dull office job. Egged on by her officemate Sylvia, she dates a lager lout she doesn’t really care for. But when handsome Rafa, an Italian-Argentinean painter, arrives at Polzanze to give art lessons to elderly guests, Clementine is utterly entranced. By 1971, Floriana has grown into a beautiful young woman, and when Dante returns from his college studies he vows eternal love. However, Beppe will never approve of his heir-apparent’s marriage to a lower-class girl whose father is the town drunk; instead he pressures Dante to court Costanza, daughter of an impoverished count. But when Dante and Floriana have an ill-advised tryst, her resulting pregnancy will create an embarrassment that Beppe must eliminate in the traditional Mafia way. The British and Tuscan narratives alternate, leaving readers to wonder how, exactly, they intersect. Aside from the obvious clues—Marina is so secretive her stepchildren call her "Submarine," and Rafa did not come to Polzanze by chance, but by design—it is to the author’s credit that she manages to prolong the puzzle until the not-so-bitter end.
An absorbing plot conveyed in woefully clichéd language: Montefiore’s hearts are always swelling, filling or leaping.Pub Date: May 3, 2011
ISBN: 978-1-4516-2430-4
Page Count: 432
Publisher: Touchstone/Simon & Schuster
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
Categories: GENERAL ROMANCE | ROMANCE
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
167
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 7, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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