by Sapphire Chow ; illustrated by Xiaojie Liu ‧ RELEASE DATE: Oct. 1, 2024
An appealing retelling of a notable folktale.
A young girl plays a part in resisting Mongolian occupation in Yuan dynasty China.
As Su-Ling and her Ma-Ma shop in the market, Su-Ling excitedly tries out her kung fu Tiger Kick. Their experience is somewhat tainted by the presence of a Mongolian guard; to prevent revolts, a law forbids Chinese people from gathering. Back at home, Pa-Pa informs them that there is indeed a rebellion planned. The Mid-Autumn Festival is approaching, and messages with the time of the rebellion will be distributed inside mooncakes. Unfortunately, the guards might search adults carrying the traditional treats. So Su-Ling volunteers to make the delivery to her uncle Ming. Pa-Pa instructs Su-Ling to light a green lantern to signal a successful delivery or a red one to call off the revolt. Su-Ling sets out, but the same guard from the market soon spots her. Su-Ling plays it cool, though inside she’s anxious, and her quick thinking saves the day and allows her to proudly carry a green lantern home. Throughout, tiger imagery symbolizes her inner strength and courage. Chow’s well-paced narrative effectively builds suspense. Liu portrays characters with exaggerated proportions and uses bold colors and textures to make the pages pop with movement. Backmatter notes that the story is based on a well-known legend and discusses the Mongol occupation, the Mid-Autumn Festival, kung fu, and mooncakes.
An appealing retelling of a notable folktale. (timeline, author’s and illustrator’s notes) (Picture book. 5-8)Pub Date: Oct. 1, 2024
ISBN: 9798888592281
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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by Gretchen Woelfle ; illustrated by Alix Delinois ‧ RELEASE DATE: Feb. 1, 2014
A life devoted to freedom and dignity, worthy of praise and remembrance.
With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.
In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.
A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)Pub Date: Feb. 1, 2014
ISBN: 978-0-7613-6589-1
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Oct. 8, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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