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REAL ARTISTS HAVE DAY JOBS

(AND OTHER AWESOME THINGS THEY DON'T TEACH YOU IN SCHOOL)

Raunchy and unabashedly unapologetic, this is useful, take-no-prisoners humor.

Raw and ribald advice for growing up.

Curiously, Benincasa’s (Agorafabulous!: Dispatches from My Bedroom, 2012, etc.) 52-essay sampler of empirically based life lessons begins with a disclaimer touting her unworthiness as an advice giver. But what sets the latest collection from this comic apart from the rest of the burgeoning Everywoman’s self-help library is the soundness of the advice given. Amid some hilarious descriptors and a proclivity for unleashing expletives that makes Amy Schumer’s potty mouth seem reserved, Benincasa provides solid tips for relationships, health, wellness, and employment, many of which will be helpful for millennials feeling the crunch of keeping pace with modern living. Where a physician might remind one of the importance of prioritizing sleep, the author promotes the idea with all the subtlety of a drill sergeant: “Burning the midnight oil is fun until you burn right the fuck out.” Encouraging readers to embrace their individuality, no matter how embarrassing or nerdy, Benincasa offers courage on multiple fronts: “Consider the thing you really want to do that you have not yet done because you are afraid you would suck at it. Now go do it anyway.” The author draws on her experience with anxiety and depression, offering a refreshingly frank look at the difficulties of coping with mental illness and its remedies; at one point, she dubs a panic attack “the exact inverse of an orgasm.” Readers would be hard-pressed to mistake sex for intimacy after encountering her admonishment that, contrary to popular practice, “a vagina is not a time machine”: “sex cannot take you back in time to a simpler era.” Throughout the collection, Benincasa’s graphic yet pithy reflections cater to the 140-character attention spans of the Twitter-sphere while effectively instilling much street-smart wisdom.

Raunchy and unabashedly unapologetic, this is useful, take-no-prisoners humor.

Pub Date: April 26, 2016

ISBN: 978-0-06-236981-9

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: March 12, 2016

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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