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DC TRIP

A promising concept from a talented writer, though the novel fails to deliver.

A high school trip to Washington, D.C., borders on bacchanal in Benincasa’s (Great, 2014, etc.) new novel.

Alicia Deats, a rookie teacher at Flemington High School, has no idea what she's getting herself into when she volunteers to chaperone the sophomore class trip. Though only 23 years old, she’s a hippie holdover, decked out in flowing skirts, political T-shirts, and Birkenstock sandals. Her motivations for signing up to chaperone, however, have little to do with the well-being of her students and more to do with the fact that Brian Kenner, the dreamy yet aloof math teacher, will be along for the ride. Much of the drama that occurs on the trip—including drug use, vicious fighting, and breaking curfew—occurs at the hands of two groups of rival teen girls. The action follows Rachel, Gertie, and Sivan—a tightknit though oddly matched group—as they sneak out after dark to try to make contact with Gertie’s crush from summer camp, who just happens to be in D.C. Along the way, they face off repeatedly with Brooklynn, Peighton, and Kaylee, the members of an enemy clique. The other students are mostly filler, though there are some touching scenes between the nerdy Carter Bump and the handsome and popular Brock Chuddford. The story of what occurs on the trip is framed within two emails sent by Alicia eight years later, an unnecessary structural choice that distances the reader. While Benincasa is well-known as a comedian, much of the humor feels contrived. The wordplay falls flat as many characters end up sounding the same: crass and sarcastic. Despite the dependence on a wide array of swear words, the teenage storyline feels juvenile, while the teachers’ comes across as uneven.

A promising concept from a talented writer, though the novel fails to deliver.

Pub Date: Nov. 3, 2015

ISBN: 978-0-9960666-3-1

Page Count: 280

Publisher: Adaptive Books

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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