A promising concept from a talented writer, though the novel fails to deliver.
A high school trip to Washington, D.C., borders on bacchanal in Benincasa’s (Great, 2014, etc.) new novel.
Alicia Deats, a rookie teacher at Flemington High School, has no idea what she's getting herself into when she volunteers to chaperone the sophomore class trip. Though only 23 years old, she’s a hippie holdover, decked out in flowing skirts, political T-shirts, and Birkenstock sandals. Her motivations for signing up to chaperone, however, have little to do with the well-being of her students and more to do with the fact that Brian Kenner, the dreamy yet aloof math teacher, will be along for the ride. Much of the drama that occurs on the trip—including drug use, vicious fighting, and breaking curfew—occurs at the hands of two groups of rival teen girls. The action follows Rachel, Gertie, and Sivan—a tightknit though oddly matched group—as they sneak out after dark to try to make contact with Gertie’s crush from summer camp, who just happens to be in D.C. Along the way, they face off repeatedly with Brooklynn, Peighton, and Kaylee, the members of an enemy clique. The other students are mostly filler, though there are some touching scenes between the nerdy Carter Bump and the handsome and popular Brock Chuddford. The story of what occurs on the trip is framed within two emails sent by Alicia eight years later, an unnecessary structural choice that distances the reader. While Benincasa is well-known as a comedian, much of the humor feels contrived. The wordplay falls flat as many characters end up sounding the same: crass and sarcastic. Despite the dependence on a wide array of swear words, the teenage storyline feels juvenile, while the teachers’ comes across as uneven.
A promising concept from a talented writer, though the novel fails to deliver.Pub Date: Nov. 3, 2015
ISBN: 978-0-9960666-3-1
Page Count: 280
Publisher: Adaptive Books
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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