A moving testimony to the process of navigating abrupt, painful change—and the life-altering impact of true friendship
This wordless graphic novel is surprisingly direct in its treatment of intergenerational friendship, grief, and hope.
Casson’s four-color illustrations—rendered in colored pencil, Photoshop, and pastel—gently take up Cassidy’s story of a mother and her young child who move into a new neighborhood and befriend an elderly neighbor: Helen. Panels of varying sizes trace the child’s friendship with Helen over what appears to be several years as they play cards, read together, and study the birds that visit Helen’s yard. One night, the child is awakened by sirens and flashing lights, silently conveyed through disorienting, large red circles splashed across the pages. From the window, the child sees Helen being loaded into an ambulance; within two pages, Helen’s house is for sale. The child observes workmen removing Helen’s bird feeder and birdbath before the house itself is demolished, but the child does not appear to process the grief triggered by Helen’s passing until discovering one of their playing cards in the construction rubble. Facing grief seems to empower the child to move forward and carry on Helen’s legacy, tenderly rescuing a bird’s nest from a bush on Helen’s old property. Soon, the neighborhood is bursting with bird song once more. The three main characters, and indeed all others excepting two brown-skinned passersby, have yellow skin that could be read here as white.
A moving testimony to the process of navigating abrupt, painful change—and the life-altering impact of true friendship . (Graphic novel. 6-10)Pub Date: Sept. 3, 2019
ISBN: 978-1-77306-038-5
Page Count: 44
Publisher: Groundwood
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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