by Sara Douglass ‧ RELEASE DATE: Jan. 10, 2006
Outstanding finale to a brilliant series.
Triumphant conclusion to The Crucible historical fantasy trilogy (The Nameless Day, 2005, etc.) in which 14th-century Europeans struggle to secure the right of free will from the angelic and demonic forces that battle for their souls.
Former priest Thomas Neville is a servant of the Archangel Michael, charged to find and expose the demons that live among men. Hal Bolingbroke is now King of England, having deposed and murdered King Richard with the help of Neville. Neville and Bolingbroke were once friends, but after a series of betrayals, Neville is convinced Hal is in fact a demon and thus an enemy of God. Neville fears Hal will use his newfound political power to enslave mankind. But what Neville thinks he knows about the nature of angels and demons may not be true after all, and his soul will serve as the final battleground for the fate of humanity. The concept of angels and demons meddling in human affairs is nothing new, but Douglass puts a terrific spin on those familiar tropes and makes them feel fresh. The liberties taken with Christian mythology will likely offend some, but that the narrative takes chances and challenges what we know is part of what makes the storyline compelling. The prose is lucid and the characters fully realized, making for an enjoyable read.
Outstanding finale to a brilliant series.Pub Date: Jan. 10, 2006
ISBN: 0-765-30364-7
Page Count: 368
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by N.K. Jemisin ‧ RELEASE DATE: Aug. 4, 2015
With every new work, Jemisin’s ability to build worlds and break hearts only grows.
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In the first volume of a trilogy, a fresh cataclysm besets a physically unstable world whose ruling society oppresses its most magically powerful inhabitants.
The continent ironically known as the Stillness is riddled with fault lines and volcanoes and periodically suffers from Seasons, civilization-destroying tectonic catastrophes. It’s also occupied by a small population of orogenes, people with the ability to sense and manipulate thermal and kinetic energy. They can quiet earthquakes and quench volcanoes…but also touch them off. While they’re necessary, they’re also feared and frequently lynched. The “lucky” ones are recruited by the Fulcrum, where the brutal training hones their powers in the service of the Empire. The tragic trap of the orogene's life is told through three linked narratives (the link is obvious fairly quickly): Damaya, a fierce, ambitious girl new to the Fulcrum; Syenite, an angry young woman ordered to breed with her bitter and frighteningly powerful mentor and who stumbles across secrets her masters never intended her to know; and Essun, searching for the husband who murdered her young son and ran away with her daughter mere hours before a Season tore a fiery rift across the Stillness. Jemisin (The Shadowed Sun, 2012, etc.) is utterly unflinching; she tackles racial and social politics which have obvious echoes in our own world while chronicling the painfully intimate struggle between the desire to survive at all costs and the need to maintain one’s personal integrity. Beneath the story’s fantastic trappings are incredibly real people who undergo intense, sadly believable pain.
With every new work, Jemisin’s ability to build worlds and break hearts only grows.Pub Date: Aug. 4, 2015
ISBN: 978-0-316-22929-6
Page Count: 512
Publisher: Orbit/Little, Brown
Review Posted Online: June 13, 2016
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by Luke Arnold ‧ RELEASE DATE: Feb. 25, 2020
The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and...
The debut novel from Australian actor Arnold is a fusion of paranormal fantasy and mystery set in a world where magic has been effectively destroyed by humans, forcing the supernatural population to live a radically diminished existence.
Fetch Phillips is a “Man for Hire,” which is another way of saying the down-on-his-luck, hard-drinking former Soldier–turned-detective will do just about anything to pay the bills. When a principal from a cross-species school enlists him to find a missing professor—a 300-year-old Vampire named Edmund Rye—Phillips quickly agrees. Without magic, the Vampires—and all other supernatural beings—are slowly dying. So how difficult could it be to find a withered bloodsucker who is so weak he can hardly move around? After visiting Rye’s last residence—a secluded loft space in the local library filled with the Vampire’s research and writings—Phillips discovers that one of Rye’s students is missing as well: a young Siren named January. His investigation becomes complicated when more Vampires turn up dead and he is almost killed himself. While the mystery element of the storyline is a bit thin, the focus on meticulous worldbuilding and highly detailed backstory as well as the cast of fully developed and memorable characters (Simms, the reptilian cop; Peteris, the disfigured half-werewolf; etc.) are unarguable strengths. But the real power here is in Arnold’s use of imagery throughout. His unconventional descriptive style brings a richness and depth to the narrative. Pete’s smile is “like a handbag with a broken zipper,” and the sound of Phillips’ falling from a building is “like someone stepping on an egg full of snails.”
The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and Dashiell Hammett.Pub Date: Feb. 25, 2020
ISBN: 978-0-316-45582-4
Page Count: 368
Publisher: Orbit/Little, Brown
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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