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SEARCHING FOR MOM

A complicated but vividly portrayed search for identity.

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A woman finds God and learns forgiveness as she confronts her contentious relationship with her adoptive mother in this memoir.

As she approached her 40th birthday, publicist and event planner Easterly (Lights, Camera, Action, 2007) was facing the imminent death of her mother. For many years, the author had been trying to come to terms with her feelings of anger toward her parent, and over the past two, their relationship had become especially difficult. Now, she was determined to resolve her conflicting emotions and help her mom negotiate a peaceful, loving passage to the next world. The author was adopted when she was just two days old—“a ‘grey-market adoption’ with shady circumstances,” she writes—and although she knew of her adopted status, she and her mother almost never discussed it. Her mom relied on the conventions of the day, telling her simply that she was specially “chosen.” “But ‘chosen’ was nowhere near what I felt inside,” Easterly writes. “Inside, I felt abandoned, discarded, unimportant.” She did well in school, but was timid and shy, with numerous fears (including a terror of thunderstorms) that her mother would shrug off with humor. As an adult, Easterly began reading the works of Nancy Newton Verrier, “an adoptive mother and psychotherapist focused on separation and loss in adoption.” She was especially taken with Verrier’s theory of the “Primal Wound,” described by that author as “the death of the baby soul….the overall feeling is a betrayal of the universe, of God, of the cosmos, of the infinite being.” Readers may or may not accept the theory that a 2-day-old infant experiences psychological trauma at the time of adoption. However, Easterly’s memoir contains a great deal of valuable information that may be helpful to adoptive parents, and to adoptees who feel a loss of biological connection. Some readers may find that the later sections, in which Easterly shares her two-way conversations with God, stretch credulity, but devoutly religious ones will likely take comfort in her spiritual account.

A complicated but vividly portrayed search for identity.

Pub Date: Nov. 19, 2019

ISBN: 978-0-578-60195-3

Page Count: 319

Publisher: Heart Voices

Review Posted Online: Dec. 20, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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