A lush and hypnotic modern fairy tale.

WHITE FOX

Ten years ago, enigmatic film star Mireille Foix disappeared from Viloxin, her Mediterranean island home, leaving her pharma tycoon husband and two young daughters bereft.

Eighteen-year-old Manon and 17-year-old Thaïs have lived with their aunt in New York City ever since, and their father’s death the previous summer still stings. Tai is puckish and effervescent, with “beautiful gemstones of stories that she’s sharpened to points” and musical laughter that hides deep insecurity. Noni, on the other hand, is a bookish and unabashedly melancholy young woman. When they get an invitation to return to Viloxin, the “Eden” of their childhood, as guests of honor at a retrospective of their mother’s work, they can’t pass it up. Soon after their arrival, Tai discovers White Fox, a legendary unfinished script penned by her mother. The screenplay, which is nestled in between Tai’s and Manon’s narratives as well as that of Boy, a darkly mysterious third narrator, may hold the key to Mireille’s fate. Desperate for the truth, Tai and Noni are enticed into an eerie and darkly seductive puzzle box of enigmatic clues, revelations, and danger. Faring, an imaginative, tactile, and immensely quotable wordsmith, explores the complexities of sisterhood and grief with a deft hand, and her unusual island setting, with its futuristic touches, draws readers in with a sensuous warmth that belies the sharp teeth beneath its surface. Most main characters seem to be White.

A lush and hypnotic modern fairy tale. (Mystery. 14-18)

Pub Date: Sept. 22, 2020

ISBN: 978-1-250-30452-0

Page Count: 416

Publisher: Imprint

Review Posted Online: July 8, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Immersive and engaging, despite some flaws, and destined to capture imaginations.

CARAVAL

From the Caraval series , Vol. 1

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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