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MY BROTHER IS AWAY

An accessible, validating narrative about the impact of incarceration within families.

A child lives far apart from their incarcerated older brother.

The narrator peers into their older brother’s empty bedroom with a despondent look. “Sometimes I stand in his quiet room and pretend he’s not really gone.” Grappling with the weight of his incarceration amid questions from curious classmates, the child experiences anger, embarrassment, and pain. But their bond is a strong one, and memories remind the protagonist of happier times: a contented smile as the pair snuggled up and read together, arms flung wide with joy during starlit strolls together. The juxtaposition of these different sentiments helps to illuminate the narrator’s reality, particularly when they and their parents make the long drive to see the child’s brother in prison. When they finally reconnect with a warm embrace, the main character realizes that other kids are also in the visiting room, reuniting with their incarcerated family members. Greenwood (who in an author’s note says that she grew up with an incarcerated brother) describes these experiences in simple, poignant language ideal for a range of readers. Also noteworthy is Uribe’s moving artwork; both detailed and restrained, the illustrations bolster the sensitive plot. In the author’s note, Greenwood offers readers reassurance: “If someone you love is in prison, I want you to know you aren’t alone, either.” The child and their family are light-skinned. (This book was reviewed digitally.)

An accessible, validating narrative about the impact of incarceration within families. (Picture book. 4-10)

Pub Date: Oct. 11, 2022

ISBN: 978-0-593-12716-2

Page Count: 40

Publisher: Random House Studio

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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