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MURDER & SULLIVAN

Oliver, Indiana, is now home to widow Joan Spencer and her college student son Andrew (Buried in Quilts, 1997, etc.). Joan is director of the Senior Citizens' Center and plays viola in the town's symphony orchestra, which is doing Gilbert and Sullivan's Ruddigore at Oliver College. The cast—students and townspeople- -includes local Justice David Palmer, whose little daughter had been saved by Joan in a recent tornado. Also backstage are carpenter Zach Yoder and his boss Virgil Shoals, both heavily involved in repairing tornado damage—such as Joan's torn-up porch and the next-door house of elderly Henry Palmer, David's uncle, whose fall through a floor put him in the hospital. It's two weeks after the tornado when, on the opening night of Ruddigore, David Palmer is found stabbed to death and Joan's policeman friend Fred Lundquist has to find someone with opportunity and motive among the dozens of people involved in the production. He makes heavy weather of it, too, especially after the autopsy shows the use of two weapons—the knife in Putnam's back being found not the cause of death. The investigation falls into limbo until Joan stumbles on what she thinks is a vital clue, sending out signals that mark her as the killer's next victim. Ardent Gilbert and Sullivan followers will enjoy the Ruddigore replay, but puzzle fans will find little to admire here in the dull characters, repetitive details of investigation procedure, endless domestic trivia, and clumsy plotting.

Pub Date: May 18, 1997

ISBN: 0-312-15595-6

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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