A politically aware thriller from a passionate rookie author.
In a wealthy Memphis suburb, a Black boy’s death is avenged.
Koffi’s debut features a first-person narrator, Elizabeth Smith, who is perceived as crazy by her husband and employer because she thinks the death of her neighbor, Patricia Fitzgerald—found hanging from a lamp post after a Halloween party—was murder rather than suicide. When anxiety medication doesn’t solve the problem, her husband and therapist decide she should hire a personal assistant to help her stay on course. Through a listserv, Elizabeth meets Brianna Thompson, a beautiful Black woman who seems perfect for the job. But we learn early on that Brianna has found her way into Elizabeth’s privileged white life for a reason—a reason that involves the murder of her son, Jay, by the police in Elizabeth and Patricia’s neighborhood, the upscale Harbor Town section of Memphis. While underdeveloped characters and settings make it difficult to fully invest in the story, it’s clear that Elizabeth’s foundering marriage and Brianna’s righteous grief and rage are on a collision course. The element that drives the book is its fury about racism, which is threaded into comparisons of Nashville and Memphis, the history of the learning center where Elizabeth works, a Harbor Town message board, and of course the main plot, a ripped-from-the-headlines 911 call that led to Jay’s shooting. This aspect of the book is potent, but lack of character development remains a problem. A surprise visit from Elizabeth’s mother, Dawn, is probably meant to fill in some backstory for Elizabeth, but the strokes are so broad that it almost comes off as parody. “I always knew how you would turn out,” her mother says. “I always knew that you’d fall in love and have a beautiful life. And I always knew that they’d find you dead with a bottle of pills in your hand.” A few paragraphs later, Dawn asks, “Now, what does it say about you if people keep killing themselves just to get away from you?” “You’re fucking evil," Elizabeth replies. "That’s what you fucking are.”
A politically aware thriller from a passionate rookie author.Pub Date: April 16, 2024
ISBN: 9780593714959
Page Count: 304
Publisher: Putnam
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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