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AMERICA IS IMMIGRANTS

A book that makes its point over and over again without belaboring it.

As the title suggests, this book shows how profound and pervasive the immigrant influence has been on American life.

Scratch beneath the surface of nearly any facet of what is considered American culture, and you’ll likely find the imprint of someone who came to the country from somewhere else. Such is the lesson of this collaboration between novelist Nović (Girl at War, 2015), who was born and raised in America within an immigrant family, and illustrator Kolesar, who emigrated from Scotland. Here, they celebrate more than 200 individuals, with capsule biographies of no more than a page and full-color portraits that attest to the cultural diversity and vitality of the immigrant influence. “There are 193 member states in the United Nations; this book contains at least one person from each of them,” states the introduction. One two-page spread on “Classic American Products” pays tribute to those responsible for Levi’s, hamburgers, Nathan’s hot dogs, Carvel ice cream, and Chevrolet, all-American iconography that owes its genesis to Germany, Denmark, Poland, Greece, and Switzerland, respectively. The all-American Chef Boyardee was known in his native Italy as Ettore Boiardi. After the assassination attempt on President Ronald Reagan, when he “famously quipped to his doctors, ‘Please tell me you’re Republicans,’ ” three members of his medical team were from Malaysia, “Nicaragua/Mexico,” and “a refugee of Nazi Germany…raised in an American orphanage.” Lest anyone think this is a work of partisan ideology, among those celebrated is “the only naturalized citizen ever to become First Lady, Melania Trump,” balanced a couple of pages later by Hungarian refugee and billionaire human rights activist George Soros. As the narrative clearly shows, from music to fine arts, from the stage to the big screen, from scientific discoveries to athletic records, the history of American culture is impossible to record without significant immigrant representation.

A book that makes its point over and over again without belaboring it.

Pub Date: Oct. 15, 2019

ISBN: 978-1-984819-82-6

Page Count: 288

Publisher: Random House

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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