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INDEMNITY ONLY

In Lamaar Ransome, Private Eye (p. 462), David Galloway played the idea of a super-hard-boiled female shamus strictly for laughs—not very successfully. Here, however, with narrator-sleuth V. I. (Victoria) Warshawski of Chicago, first-novelist Paretsky is doing the same thing with an absolutely straight face; and the result, if rather flat, is a sturdily readable diversion that's no more implausible than any other hard-boiled fare. The case begins when V.I. is hired by banker John Thayer (or so he identifies himself) to locate Anita, the missing girlfriend of his son Peter. But when V.I. then promptly discovers Peter's murdered body, the plot thickens: her client, it seems, was really Anita's father, a shady labor leader; and Peter was working for the Ajax Insurance Co.—which may have had illegal connections with the labor leader and with some mobster types (who rough V.I. up). Then Peter's father (the real John Thayer) is also murdered, so the insurance/bank/union/mob tangle gets more complicated. And before V.I. exposes a convincing insurance scare, she finds the missing Anita and plays godmother to Peter Thayer's unhappy teenage sister. Predictably plotted, but written with agreeable plainness—and, except for V.I.'s affair with a suspect (is he just another "pretty face"?), the sex-role shift is handled with just the right sort of un-cute, matter-of-fact credibility.

Pub Date: Jan. 22, 1981

ISBN: 0440210690

Page Count: 327

Publisher: Dial Books

Review Posted Online: Oct. 3, 2011

Kirkus Reviews Issue: Jan. 1, 1981

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THE STOLEN MARRIAGE

An overly anodyne attempt at Southern gothic.

A series of unfortunate errors consigns a Baltimore nurse to a loveless marriage in the South.

It’s 1943, and Tess, from Baltimore’s Little Italy, is eagerly anticipating her upcoming nuptials. Her frustration grows, though, when her physician fiance, Vincent, accepts an extended out-of-town assignment to treat polio patients. On an impromptu excursion to Washington, D.C., Tess has too many martinis, resulting in a one-night stand with a chance acquaintance, a furniture manufacturer from North Carolina named Henry. Back in Baltimore, Tess’ extreme Catholic guilt over her indiscretion is compounded by the discovery that she’s pregnant. Eschewing a back-street abortion, she seeks out Henry in hopes of arranging child support—but to her shock, he proposes marriage instead. Once married to Henry and ensconced in his family mansion in Hickory, North Carolina, Tess gets a frosty reception from Henry’s mother, Miss Ruth, and his sister, Lucy, not to mention the other ladies of Hickory, especially Violet, who thought she was Henry’s fiancee. Tess’ isolation worsens after Lucy dies in a freak car accident, and Tess, the driver, is blamed. Her only friends are the African-American servants of the household and an African-American medium who helps her make peace with a growing number of unquiet spirits, including her mother, who expired of shock over Tess’ predicament, and Lucy, not to mention the baby, who did not make it to full term. The marriage is passionless but benign. Although Henry tries to be domineering, he always relents, letting Tess take the nurses' licensing exam and, later, go to work in Hickory’s historic polio hospital. Strangely, despite the pregnancy’s end, he refuses to divorce Tess. There are hints throughout that Henry has secrets; Lucy herself intimates as much shortly before her death. Once the polio hospital story takes over, the accident is largely forgotten, leading readers to suspect that Lucy’s death was a convenient way of postponing crucial revelations about Henry. Things develop predictably until, suddenly and belatedly, the plot heats up in an unpredictable but also unconvincing way.

An overly anodyne attempt at Southern gothic.

Pub Date: Oct. 3, 2017

ISBN: 978-1-250-08727-0

Page Count: 384

Publisher: St. Martin's

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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BOMBSHELL

The perfect bonbon to pick up for distraction during those long production numbers at the actual Oscars.

Think the competition among Oscar nominees is a blood sport? You have no idea.

Desperation at Dawn has snared Academy Award nominations for writer/director Peter Barrington; his wife, composer Hattie Barrington; lead actress Tessa Tweed; supporting actor Mark Weldon; and Tessa’s husband, Ben Bacchetti, who, as head of Centurion Studios, would bask in the award for best picture. Tessa’s nomination is nice for her, but it grates on Viveca Rothschild, the blonde bombshell who, determined that her own third nomination will be the charm, resolves to do whatever it takes to undermine Tessa, beginning with getting hired on Trial by Fire, Tessa’s aptly named new film, and planting snippy items about her in gossip columns. But that’s far from the biggest problem lurking beneath the tinsel. Viveca’s boyfriend, Iraq War vet Bruce, has PTSD and a much less nuanced approach than his girlfriend to stopping Tessa in her tracks. Even worse, crime boss Gino Patelli, suspecting that his uncle and predecessor, Carlo Gigante, was offed by Centurion producer Billy Barnett, hires a series of variously hapless underlings to find and kill him. As Billy tells his attorney, Peter’s father Stone Barrington, when he’s arrested for a rare murder he didn’t commit, “It seems to be open season on Billy Barnett.” But the predators’ job is considerably complicated by the fact that Billy, like Mark Weldon, is an alter ego of former CIA operative Teddy Fay, who effortlessly spots every Patelli employee early on, switches identities in a flash to escape them, and shoots them when he can’t. So the suspense in this enjoyably weightless tale is focused on the climactic Academy Award ceremonies. Who wants to bet that Tessa or Teddy will get killed or that Desperation at Dawn won’t sweep the categories in which it’s nominated?

The perfect bonbon to pick up for distraction during those long production numbers at the actual Oscars.

Pub Date: June 2, 2020

ISBN: 978-0-593-08325-3

Page Count: 320

Publisher: Putnam

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: April 1, 2020

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