In Lamaar Ransome, Private Eye (p. 462), David Galloway played the idea of a super-hard-boiled female shamus strictly for laughs—not very successfully. Here, however, with narrator-sleuth V. I. (Victoria) Warshawski of Chicago, first-novelist Paretsky is doing the same thing with an absolutely straight face; and the result, if rather flat, is a sturdily readable diversion that's no more implausible than any other hard-boiled fare. The case begins when V.I. is hired by banker John Thayer (or so he identifies himself) to locate Anita, the missing girlfriend of his son Peter. But when V.I. then promptly discovers Peter's murdered body, the plot thickens: her client, it seems, was really Anita's father, a shady labor leader; and Peter was working for the Ajax Insurance Co.—which may have had illegal connections with the labor leader and with some mobster types (who rough V.I. up). Then Peter's father (the real John Thayer) is also murdered, so the insurance/bank/union/mob tangle gets more complicated. And before V.I. exposes a convincing insurance scare, she finds the missing Anita and plays godmother to Peter Thayer's unhappy teenage sister. Predictably plotted, but written with agreeable plainness—and, except for V.I.'s affair with a suspect (is he just another "pretty face"?), the sex-role shift is handled with just the right sort of un-cute, matter-of-fact credibility.
Pub Date: Jan. 22, 1981
ISBN: 0440210690
Page Count: 327
Publisher: Dial Books
Review Posted Online: Oct. 3, 2011
Kirkus Reviews Issue: Jan. 1, 1981
The perfect bonbon to pick up for distraction during those long production numbers at the actual Oscars.
Think the competition among Oscar nominees is a blood sport? You have no idea.
Desperation at Dawn has snared Academy Award nominations for writer/director Peter Barrington; his wife, composer Hattie Barrington; lead actress Tessa Tweed; supporting actor Mark Weldon; and Tessa’s husband, Ben Bacchetti, who, as head of Centurion Studios, would bask in the award for best picture. Tessa’s nomination is nice for her, but it grates on Viveca Rothschild, the blonde bombshell who, determined that her own third nomination will be the charm, resolves to do whatever it takes to undermine Tessa, beginning with getting hired on Trial by Fire, Tessa’s aptly named new film, and planting snippy items about her in gossip columns. But that’s far from the biggest problem lurking beneath the tinsel. Viveca’s boyfriend, Iraq War vet Bruce, has PTSD and a much less nuanced approach than his girlfriend to stopping Tessa in her tracks. Even worse, crime boss Gino Patelli, suspecting that his uncle and predecessor, Carlo Gigante, was offed by Centurion producer Billy Barnett, hires a series of variously hapless underlings to find and kill him. As Billy tells his attorney, Peter’s father Stone Barrington, when he’s arrested for a rare murder he didn’t commit, “It seems to be open season on Billy Barnett.” But the predators’ job is considerably complicated by the fact that Billy, like Mark Weldon, is an alter ego of former CIA operative Teddy Fay, who effortlessly spots every Patelli employee early on, switches identities in a flash to escape them, and shoots them when he can’t. So the suspense in this enjoyably weightless tale is focused on the climactic Academy Award ceremonies. Who wants to bet that Tessa or Teddy will get killed or that Desperation at Dawn won’t sweep the categories in which it’s nominated?
The perfect bonbon to pick up for distraction during those long production numbers at the actual Oscars.Pub Date: June 2, 2020
ISBN: 978-0-593-08325-3
Page Count: 320
Publisher: Putnam
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: April 1, 2020
Middling for this fine series, which automatically makes it one of the season’s highlights.
Fired from his job as Game and Fish Warden after wrapping up his colorful sixth case (In Plain Sight, 2006), Joe Pickett returns to nab the perpetrator of the perfect crime.
According to his own confession, small-time lawyer Clay McCann, feeling bullied and insulted by four campers he encountered in Yellowstone Park, shot them dead. A ingenious technicality he’s discovered, however, prevents him from being tried and convicted. Wyoming Governor Spencer Rulon, a former prosecutor, can only slap McCann’s wrist, but he’s determined to figure out what Rick Hoening, one of the victims, meant by an email that hinted at secrets that could have a major impact on the state’s financial health. So he asks Joe, now working as foreman at his father-in-law’s ranch, to poke around the park while maintaining full deniability for the Governor. The situation stinks, but Joe’s so eager to get away from his wife’s poisonous mother and go back to his old job that he agrees, and in short order there’s a spate of new killings to deal with—some committed by McCann, some not. As usual, there’s little mystery about which of the sketchy suspects is behind the skullduggery. But, as usual, the central situation is so strong, the continuing characters so appealing and the spectacular landscape so lovingly evoked that it doesn’t matter.
Middling for this fine series, which automatically makes it one of the season’s highlights.Pub Date: May 10, 2007
ISBN: 0-399-15427-2
Page Count: 288
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
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