A tremendous portrayal of this transitional paradigm to modernism.
Beautifully rendered biography of the last of the great Victorian gentlemen-adventurers, by accomplished English author Wheeler (Cherry, 2002, etc.).
A charismatic personality of the first order, and with impeccable lineage to boot, Denys Finch Hatton (1887–1931) gained importance as one of the first-rank white hunters in British East Africa during the 1920s, as well as the lover of authors Karen Blixen (aka Isak Dinesen) and Beryl Markham, among others. Known and loved by many, Finch Hatton tended to be “buried under his own reputation,” and Wheeler attempts to unearth the true character beneath the layers of legend. Son of the 13th Earl of Winchilsea and descendant of speculators and adventurers, the boy grew up in London and on the Haverholme estate in Lincolnshire and attended Eton during an idyllic period when he consolidated his friendships with golden Edwardian youths, some of whom subsequently perished in the trenches of World War I. A romantic anarchist bored with politics, enamored with flight and attracted to bohemian women, Finch Hatton found an escape route to British East Africa and maneuvered his way into forming a trading company. With the outbreak of World War I, and the enemy holding the shared border of German East Africa, he served as aide-de-camp under Reginald Hoskins—and here Wheeler does a masterful job of bringing to light a little-known aspect of the war in Africa. Later, he would make his livelihood as a white hunter hired by rich notables like the Prince of Wales, though Wheeler emphasizes his love of the land and his attempts by the late 1920s to prevent indiscriminate slaughter. Finch Hatton's dozen-year love affair with Baroness Blixen—who struggled to keep her coffee farm in the Ngong Hills, and to deal with syphilis and divorce—dominates the last half of the book.
A tremendous portrayal of this transitional paradigm to modernism.Pub Date: April 24, 2007
ISBN: 1-4000-6069-9
Page Count: 308
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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