A tremendous portrayal of this transitional paradigm to modernism.

TOO CLOSE TO THE SUN

THE AUDACIOUS LIFE AND TIMES OF DENYS FINCH HATTON

Beautifully rendered biography of the last of the great Victorian gentlemen-adventurers, by accomplished English author Wheeler (Cherry, 2002, etc.).

A charismatic personality of the first order, and with impeccable lineage to boot, Denys Finch Hatton (1887–1931) gained importance as one of the first-rank white hunters in British East Africa during the 1920s, as well as the lover of authors Karen Blixen (aka Isak Dinesen) and Beryl Markham, among others. Known and loved by many, Finch Hatton tended to be “buried under his own reputation,” and Wheeler attempts to unearth the true character beneath the layers of legend. Son of the 13th Earl of Winchilsea and descendant of speculators and adventurers, the boy grew up in London and on the Haverholme estate in Lincolnshire and attended Eton during an idyllic period when he consolidated his friendships with golden Edwardian youths, some of whom subsequently perished in the trenches of World War I. A romantic anarchist bored with politics, enamored with flight and attracted to bohemian women, Finch Hatton found an escape route to British East Africa and maneuvered his way into forming a trading company. With the outbreak of World War I, and the enemy holding the shared border of German East Africa, he served as aide-de-camp under Reginald Hoskins—and here Wheeler does a masterful job of bringing to light a little-known aspect of the war in Africa. Later, he would make his livelihood as a white hunter hired by rich notables like the Prince of Wales, though Wheeler emphasizes his love of the land and his attempts by the late 1920s to prevent indiscriminate slaughter. Finch Hatton's dozen-year love affair with Baroness Blixen—who struggled to keep her coffee farm in the Ngong Hills, and to deal with syphilis and divorce—dominates the last half of the book.

A tremendous portrayal of this transitional paradigm to modernism.

Pub Date: April 24, 2007

ISBN: 1-4000-6069-9

Page Count: 308

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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