It’s unfortunate that the more positive aspects of the novel are diluted by a confusing plot that takes too long to work...
Debut author Etienne’s novel tells the story of Faye Robson, a 16-year-old girl plagued by mysterious “episodes” and shipped off to Holbrook Academy by her parents, ostensibly for her own good.
Thus betrayed by her family, Faye quickly connects with a small group of fellow students, bound together by mysterious happenings at the school. Desperate to uncover the secrets of her past, the source of her visions and the truth behind the frightening goings-on at Holbrook, Faye and her new “family” risk serious and painful consequences in their quest for answers. The novel has its share of plusses. Faye is an artist at heart, and the first-person narration, even when relaying the darkest and most gruesome aspects of the story, reflects Faye’s vivid and sensuous view of the world. It also lends itself to an interesting perspective on Faye’s internal struggles, particularly with regard to her love/hate relationship with her terrifying visions. Unfortunately, the resolution feels forced, the author having spent too much time reveling in dark, gory details to the detriment of the story.
It’s unfortunate that the more positive aspects of the novel are diluted by a confusing plot that takes too long to work itself out and has the potential to leave readers scratching their heads at the end. (Fantasy. 14 & up)Pub Date: Feb. 2, 2012
ISBN: 978-0-399-25668-4
Page Count: 320
Publisher: Putnam
Review Posted Online: Dec. 6, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Whether you came for the lore or the love, perfection.
Broken people, complicated families, magic, and Faerie politics: Black’s back.
After the tumultuous ending to the last volume (marriage, exile, and the seeming collapse of all her plots), Jude finds herself in the human world, which lacks appeal despite a childhood spent longing to go back. The price of her upbringing becomes clear: A human raised in the multihued, multiformed, always capricious Faerie High Court by the man who killed her parents, trained for intrigue and combat, recruited to a spy organization, and ultimately the power behind the coup and the latest High King, Jude no longer understands how to exist happily in a world that isn’t full of magic and danger. A plea from her estranged twin sends her secretly back to Faerie, where things immediately come to a boil with Cardan (king, nemesis, love interest) and all the many political strands Jude has tugged on for the past two volumes. New readers will need to go back to The Cruel Prince (2018) to follow the complexities—political and personal side plots abound—but the legions of established fans will love every minute of this lushly described, tightly plotted trilogy closer. Jude might be traumatized and emotionally unhealthy, but she’s an antihero worth cheering on. There are few physical descriptions of humans and some queer representation.
Whether you came for the lore or the love, perfection. (Fantasy. 14-adult)Pub Date: Nov. 19, 2019
ISBN: 978-0-316-31042-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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