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THE PEACH KEEPER

Unmemorable.

In a North Carolina mountain hamlet, the renovation of a crumbling mansion reveals unsettling secrets.

Paxton Osgood, pampered daughter of one of Walls of Water, N.C.’s, wealthiest families, is planning a gala to mark the 75th anniversary of the Women’s Society Club, founded by her grandmother Agatha. The invitations go awry due to a freak storm, which is a harbinger that dark forces still lurk at the gala site, the Blue Ridge Madam manor, once owned by lumber barons, the Jacksons, who lost their money when their logging grounds were turned into a national forest. The house, deemed haunted, was abandoned for decades until salvaged by the Osgoods, who plan on converting it to a bed and breakfast. Paxton’s brother Colin has returned from his world travels to landscape the grounds, but when a gnarled peach tree is uprooted to make way for a statelier transplant tree, a skull is found in the crater. Local shopkeeper Willa Jackson, whose grandmother Georgie was 17 when the Jacksons fell from grace, declines her invitation to the gala—her ancestral memories have made her hostile to Walls of Water’s affluent residents, and too many people recall that, in high school, she was a prankster whose antics were blamed on Colin. The skull undoubtedly belonged to Tucker Devlin, a charismatic, need we say devilish grifter who came to town in 1936, instantly captivating all resident females with predictably dire results. Devlin concentrated his blandishments on the Jacksons, persuading them to invest their last dollars in an ill-advised peach orchard at an altitude unconducive to fruit. Georgie now occupies the same nursing home as her former best friend Agatha, but only Agatha is still of sound mind: She reveals that she formed the Women's Society Club not for philanthropic purposes but to reckon with Tucker. Discordant notes of magic realism at times distract from what is essentially a benign tale of spunky Southern women finding true love after overcoming not-very-significant challenges.

Unmemorable.

Pub Date: March 22, 2011

ISBN: 978-0-553-80722-6

Page Count: 288

Publisher: Bantam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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