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THE PEACH KEEPER

Unmemorable.

In a North Carolina mountain hamlet, the renovation of a crumbling mansion reveals unsettling secrets.

Paxton Osgood, pampered daughter of one of Walls of Water, N.C.’s, wealthiest families, is planning a gala to mark the 75th anniversary of the Women’s Society Club, founded by her grandmother Agatha. The invitations go awry due to a freak storm, which is a harbinger that dark forces still lurk at the gala site, the Blue Ridge Madam manor, once owned by lumber barons, the Jacksons, who lost their money when their logging grounds were turned into a national forest. The house, deemed haunted, was abandoned for decades until salvaged by the Osgoods, who plan on converting it to a bed and breakfast. Paxton’s brother Colin has returned from his world travels to landscape the grounds, but when a gnarled peach tree is uprooted to make way for a statelier transplant tree, a skull is found in the crater. Local shopkeeper Willa Jackson, whose grandmother Georgie was 17 when the Jacksons fell from grace, declines her invitation to the gala—her ancestral memories have made her hostile to Walls of Water’s affluent residents, and too many people recall that, in high school, she was a prankster whose antics were blamed on Colin. The skull undoubtedly belonged to Tucker Devlin, a charismatic, need we say devilish grifter who came to town in 1936, instantly captivating all resident females with predictably dire results. Devlin concentrated his blandishments on the Jacksons, persuading them to invest their last dollars in an ill-advised peach orchard at an altitude unconducive to fruit. Georgie now occupies the same nursing home as her former best friend Agatha, but only Agatha is still of sound mind: She reveals that she formed the Women's Society Club not for philanthropic purposes but to reckon with Tucker. Discordant notes of magic realism at times distract from what is essentially a benign tale of spunky Southern women finding true love after overcoming not-very-significant challenges.

Unmemorable.

Pub Date: March 22, 2011

ISBN: 978-0-553-80722-6

Page Count: 288

Publisher: Bantam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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THE GOOD HOUSE

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).

Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-01554-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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THE ISLAND

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It”...

Queen of the summer novel—how could she not be, with all her stories set on an island—Hilderbrand delivers a beguiling ninth (The Castaways, 2009, etc.), featuring romance and mystery on isolated Tuckernuck Island.

The Tate family has had a house on Tuckernuck (just off the coast of swanky Nantucket) for generations. It has been empty for years, but now Birdie wants to spend a quiet mother-daughter week there with Chess before Chess’s wedding to Michael Morgan. Then the unthinkable happens—perfect Chess (beautiful, rich, well-bred food editor of Glamorous Home) dumps the equally perfect Michael. She quits her job, leaves her New York apartment for Birdie’s home in New Canaan, and all without explanation. Then the unraveling continues: Michael dies in a rock-climbing accident, leaving Chess not quite a widow, but devastated, guilty, unreachable in the shell of herself. Birdie invites her younger daughter Tate (a pretty, naïve computer genius) and her own bohemian sister India, whose husband, world-renowned sculptor Bill Bishop, killed himself years ago, to Tuckernuck for the month of July, in the hopes that the three of them can break through to Chess. Hunky Barrett Lee is their caretaker, coming from Nantucket twice a day to bring groceries and take away laundry (idyllic Tuckernuck is remote—no phone, no hot water, no ferry) as he’s also inspiring renewed lust in Tate, who has had a crush on him since she was a kid. The author jumps between the four women—Tate and her blossoming relationship with Barrett, India and her relationship with Lula Simpson, a painter at the Academy where India is a curator, Birdie, who is surprised by the recent kindnesses of ex-husband Grant, and finally Chess, who in her journal is uncoiling the sordid, sad circumstances of her break with normal life and Michael’s death.

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It” beach book of the summer.

Pub Date: July 6, 2010

ISBN: 978-0-316-04387-8

Page Count: 416

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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