Fans of Allen’s brand of romantic whimsy won’t mind the inconsistencies and lapses of logic, but others may cringe at the...
In Allen’s newest sugar-and-spice Southern fantasy (The Sugar Queen, 2008, etc.), a teenage girl comes to live with her grandfather in a small town where oddity is a way of life.
Raised by her selfless, politically active mother Dulcie in Boston, Emily has never met or heard about her grandfather until she comes to live with him in Mullaby, N.C., after Dulcie’s sudden death. Emily immediately confronts unexplainable peculiarities: Grandfather Vance turns out to be a shy giant over eight feet tall; the wallpaper in Emily’s room changes at will; strange white lights materialize at night in the woods outside her window; objects appear and disappear without reason. And then there are the locals’ less-than-warm memories of Dulcie. Emily makes friends with Win, a teenage boy whose family secret requires him to stay inside at night. Win tells Emily that his uncle committed suicide because Dulcie cruelly exposed his secret to the town. Grandfather Vance’s neighbor Julia, who has also befriended Emily, was Dulcie’s classmate and acknowledges that in high school Dulcie—spoiled, rich and popular—mercilessly teased Julia, then a troubled teen who dyed her hair pink and cut herself. Julia left Mullaby when she was 16 and has come back for a temporary stay only because her father died. Until she pays off his debts, she is running his barbecue restaurant, where she has added cakes and pastries to the menu. What Julia doesn’t tell Emily is that the night before she left Mullaby to attend a school for troubled girls in Baltimore, she made love with handsome preppy Sawyer and ended up pregnant. Sawyer, who assumed she had an abortion, is now pursuing Julia again, but there is a secret she has not told him. As the parallel romances of Emily and Win and Julia and Sawyer evolve, the secrets of Mullaby become sources of happiness rather than pain.
Fans of Allen’s brand of romantic whimsy won’t mind the inconsistencies and lapses of logic, but others may cringe at the implausibility.Pub Date: March 1, 2010
ISBN: 978-0-553-80721-9
Page Count: 278
Publisher: Bantam
Review Posted Online: Feb. 21, 2011
Kirkus Reviews Issue: Jan. 15, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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