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LORD OF SNOW AND SHADOWS

VOL. I, THE TEARS OF ARTAMON

Darting, unpredictable, often absorbing, but lacking the spark of true originality.

Hypercomplicated yet independently intelligible first in a fantasy trilogy: the US debut for an English author of three previous paperbacks.

Elysia, mother of Gavril, portrait painter to the ruling Orlovs of Muscobar, never told her son that he’s the heir to the frigid northern land of Azhkendir. Suddenly, Gavril sees in a vision the treacherous murder of Volkh, his father. Then he's abducted by Kostya, Volkh's right-hand man, and conveyed to Azhkendir, where he learns that by virtue of his Nagarian blood he’s the Drakhaon: within him dwells a dragonlike creature of vast powers and an appetite for human blood—something else his mother never told him. Who killed Gavril's father? Well, a Clan feud between the Nagarians and the Arkhels has festered for centuries; Volkh thought he had slaughtered the last of his enemies, but young Jaromir escaped to neighboring Tielen, where Prince Eugene sponsored him. Kostya and the other warriors urge Gavril to take up the feud; only by killing Volkh's murderer can the old man’s stormy and troublesome ghost be banished. Gentle Gavril isn't convinced. Meanwhile, Eugene, dreaming of reuniting the old Empire by acquiring all the scattered gemstones known as the Tears of Artamon, plots with spymaster Count Velemir to invade Azhkendir by stealth, sorcery, and force of arms. Set against a backdrop drawing on the wars, politics, and folklore of northeastern Europe, the characters tend to lose definition amid the furious welter of intrigue and action-adventure.

Darting, unpredictable, often absorbing, but lacking the spark of true originality.

Pub Date: Aug. 5, 2003

ISBN: 0-553-80334-4

Page Count: 496

Publisher: Spectra/Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2003

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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