Benwell's gentle treatment of friendship and death with dignity will touch fans of John Green's The Fault in Our Stars...
A Japanese teen contracts a fatal disease and tests the strength of friendship.
Online, introverted Abe Sora can be anything—like the 17-year-old baseball player he was before Lou Gehrig’s disease, also known as amyotrophic lateral sclerosis, stole his ability to walk and even attend school. Largely homebound, he turns to samurai death poetry for comfort and the KyoToTeenz chat room for distraction. Eavesdropping on school woes and exchanging quips (printed in various types for verisimilitude), he meets artistic Mai and techy Kaito, and he eventually invites them to dinner. Overcoming their initial awkwardness, they become inseparable. Through vividly depicted outings and comic-book adventures, they give Sora something to live for as his health declines. Search terms like "help me die" foreshadow his outlook, however, and after poignantly encountering a dying man and waking up unable to use his fingers, he wonders if his friends will help him. Sora's introspective narration, coupled with stark and startling moments of chapter-to-chapter deterioration, emphasizes that suicide is his personal choice, avoiding generalizations of disability as a whole. Their dialogue is sometimes stilted, but the supportive characterizations of Sora's family and friends ease the sharply articulated uncertainty of disability and dying young. References to samurai culture and snippets of poetry will leave readers at peace with the drifting ending.
Benwell's gentle treatment of friendship and death with dignity will touch fans of John Green's The Fault in Our Stars (2012). (glossary) (Fiction. 13-18)Pub Date: May 5, 2015
ISBN: 978-1-4814-3065-4
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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