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BED REST

The estrogen-fueled conflicts aren’t enough to save this tiresome tale.

Three months of bed rest forces a pregnant lawyer to reexamine her life.

Quinn Boothroyd managed to neglect her personal life for years. The demands of being a successful corporate lawyer in New York meant Q (her snappy nickname) and her husband, Tom, spent most days amassing huge billable hours. It’s astounding that Q was even able to get pregnant at the pace the couple kept. A diagnosis of oligohydramnios changes everything. The doctor orders a strict bed-rest schedule for the final three months of Q’s pregnancy; ignoring orders could mean risking premature birth or worse. Scared into submission, Q is at first optimistic about her predicament. It’s a perfect opportunity to read the classics and sample some of New York’s finest take-out food. Boredom quickly sets in and then turns to panic as Q realizes she and her husband are woefully unprepared for the baby. The novel is written from the point of view of Q, who records each day of her bed rest. There are far too many lonely rants and descriptions of Q’s sweets-laden diet, and there’s nothing fresh in the romantic portion of the novel. The standard lack of communication between Tom and Q leads to a few predictable fights and tension. Q’s marriage never conjures much sympathy, as both its parties are dull, stubborn and self-involved, leaving the reader to ponder their suitability as parents. An addled subplot involves Q’s ditsy pal falling for one of the couple’s married friends. A bright spot is the author’s rendering of the untenable relationship between Q and her headstrong mother and two competitive sisters, who live in England. When the Boothroyd women fly over to assist Q, personalities clash and the reader is finally given something meaty to feast on.

The estrogen-fueled conflicts aren’t enough to save this tiresome tale.

Pub Date: May 1, 2006

ISBN: 0-06-088993-4

Page Count: 224

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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