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THE MOMMY CLUB

Bird (Alamo House, 1986; The Boyfriend School, 1986) outdoes herself with this hilarious, deadpan account of a Texan artist's attempt at surrogate motherhood-a warm, wise, and witty comedy by an author who's finally his her stride. Spaced-out San Antonio artist Trudy Herring is no one's idea of a perfect mother. She drifts from one unemployment check to another while creating weird objets d`art from other people's trash (a plastic Christ figure covered with plastic ants, called the Antychrist, for example). Her only regret, in fact, is a promise she made ten years ago: Forced to have an abortion, she vowed to the baby's spirit (nicknamed Sweet Pea) that she'd get her life together someday and bring it back. Now, at 38, Trudy despairs of making good on her guarantee. Salvation appears in the person of Hillary Goettler, Trudy's new boss of the Museum of Folk Art, a woman who dresses spectacularly, lives in a historic San Antonio mansion, is married into one of the city's oldest families and is cursed with infertility. Trudy offers to become a surrogate mother for Hillary, and before she can think twice she's been inseminated, ensconced in the Goettler home, clothed in all-cotton maternity jumpsuits, and crammed full of foul- tasting health-food dinners. Not surprisingly, Trudy and Hillary soon loathe each other, and Trudy begins sneaking out of the mansion to gorge on Mexican good and daydream about Sinclair Coker, the long-gone artist/boyfriend who sired Sweet Pea. At last Trudy finds him again-an overweight ex-gigolo hiding out at a condemned hot-springs spa-and must decide whether to give the new Sweet Pea a life of shallow luxury or one surrounded by questionable art objects, unpredictability and love. A wonderful take, placing Bird squarely among the best of Texas writers.

Pub Date: May 21, 1991

ISBN: 0-385-41123-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1991

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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