Extremely easy to read and equally hard to forget.
When London schoolteacher Dolores O’Shea finds her husband’s sex doll in the garage, a neatly organized life begins to crumble.
It takes a long time to realize this book is not really a comedy, because Crossan is a wonderfully funny writer. In the narrator’s first interaction with Tessa Winters, a troubled student whose problems escalate throughout the novel, we learn that Tessa’s cousin Neil, now in prison, buried his girlfriend alive in a big suitcase, but forgot to take off her Apple watch—so she called her mom from the grave. A few pages later, a childhood recollection: Dolores (nicknamed Doughy and, even more worrisomely, Dolly) and her sister, Jacinta, fought so hard over a doll that they pulled her head off, then played separately with the two parts until their mother reattached the head, saying, “You can forget about a hamster.” And while Zoey the sex doll does provide plenty of absurd humor—Crossan has imagined her AI responses so brilliantly it hurts—she plays a much more profound role in what is ultimately a moving, troubling, even heartbreaking book. After Dolores confronts her anesthesiologist (of course he is!) husband about the doll, and he responds by packing up and moving out without a word, Zoey becomes Dolores’ best friend. She buys her fancy size 4 espadrilles, gives her magazines to read and vegan cooking shows to watch, and struggles to leave her behind when she goes to visit her troubled sister in New York. Every part of this book is brilliantly constructed to reflect a different aspect of the central problem, which is numbness, and also something that happened in the girls’ childhood that takes the whole novel to emerge. Crossan is well known both here and across the Atlantic as a YA writer, and her second adult novel firmly places her in a group with Sally Rooney, Caroline O’Donoghue, Doireann Ní Ghríofa, and Eimear McBride, millennial Irish women writers we love.
Extremely easy to read and equally hard to forget.Pub Date: June 25, 2024
ISBN: 9780316428606
Page Count: 320
Publisher: Little, Brown
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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