Addresses persecution while reinforcing it. Skip.
Two teens with bad lives connect.
Nicu arrived in “London North” only a month ago. He and his parents came from Romania because now that Nicu is a grown man at age 15, his father must earn money to pay for an arranged bride for Nicu back in Romania (against Nicu’s wishes). Jess has always lived in North London, trapped by a stepfather who beats her mother and makes Jess record it on his phone. The two underdogs meet in a community service program for kids caught stealing and share a mild romance born of desperation. In alternating chapters, they each narrate in first-person free verse. Jess, who’s white, narrates in standard English with touches of vernacular to convey her class. Nicu, who’s Roma and brown-skinned, narrates in an unrealistic and dehumanizing broken English (“Her touching help peace my mental / and my body”). It’s meant to show that English is new to him, but the use of broken language for thoughts inside his head is sharply belittling, precludes nuanced characterization, and is also incongruent with the use of standard English for his parents’ dialogue, also presumably “translated” from Romanian for readers’ benefit. This, along with Nicu’s lack of grooming and unexplained misordering of weekdays, renders Nicu the cheapest stereotype, nullifying the authors’ attempts to confront racism in their plot about bigotry, which includes anti-Roma slurs (as well as Islamophobic and pro-Brexit ones), violence, and injustice.
Addresses persecution while reinforcing it. Skip. (Verse fiction. 14-16)Pub Date: June 13, 2017
ISBN: 978-1-68119-275-8
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
Smoothly written and packed with (perhaps too many) challenging issues, Hoyle’s debut may feel a bit glib and predictable to...
A teenager with epilepsy who has recently lost her father to cancer overcomes the depression induced by grief and illness as she acclimates to attending public school for the first time in several years and finds a boyfriend.
Home-schooled and reluctant to engage with strangers, Emilie spends her spare time reading, cuddling with her therapy dog, Hitch, and playing board games with Cindy, her 8-year-old neighbor. Forced to begin classes at the local high school, Emilie is determined to remain aloof. A smart, creative girl named Ayla and a hot (and very nice) boy named Chatham befriend her, making it hard to stay distant and self-contained. Conflicts with her mother, who is just beginning to date, and concern about the potential embarrassment of having a seizure at school further complicate Emilie’s life. Miserable and self-absorbed, Emilie is exceedingly articulate. Indeed, her first-person narration sometimes sounds older than her years, particularly when describing her crush. Extended metaphors abound, most involving water. That’s logical given the Outer Banks setting and Emilie’s fears, but they slow the flow of the plot and contribute to the not entirely believable tone. Emilie seems to be white, and so does her world, aside from the occasional student of color.
Smoothly written and packed with (perhaps too many) challenging issues, Hoyle’s debut may feel a bit glib and predictable to some readers; others will swoon over the dreamy Chatham and root for Emilie to come out of her shell. (Romance. 14-16)Pub Date: Sept. 5, 2017
ISBN: 978-0-310-75851-8
Page Count: 304
Publisher: Blink
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Bloody? Yes. Scary? No.
Someone is murdering high school students. Most freeze in fear, but a brave few try to stop the killings.
Senior Makani Young has been living in corn-obsessed Nebraska for just a little over a year. She has developed a crush and made some friends, but a dark secret keeps her from truly opening up to those around her. As the only half–African-American and half–Native Hawaiian student in her school, she already stands out, but as the killing spree continues, the press descends, and rumors fly, Makani is increasingly nervous that her past will be exposed. However, the charming and incredibly shy Ollie, a white boy with hot-pink hair, a lip ring, and wanderlust, provides an excellent distraction from the horror and fear. Graphic violence and bloody mayhem saturate this high-speed slasher story. And while Makani’s secret and the killer’s hidden identity might keep the pages turning, this is less a psychological thriller and more a study in gore. The intimacy and precision of the killer’s machinations hint at some grand psychological reveal, but lacking even basic jump-scares, this tale is high in yuck and low in fright. The tendency of the characters toward preachy inner monologues feels false.
Bloody? Yes. Scary? No. (Horror. 14-16)Pub Date: Sept. 26, 2017
ISBN: 978-0-525-42601-1
Page Count: 352
Publisher: Dutton
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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